Terrestrial and Celestial Globes Volume 2: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and AstronomyStevenson, Edward Luther
History
Terrestrial and Celestial Globes Volume 2: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy
Stevenson, Edward Luther
Geography -- History; Globes
The Biblioteca Municipale of Fermo possesses a fine manuscript
terrestrial globe made by Moroncelli and dated 1713. This globe is not a
perfect sphere, having a polar diameter of 180 cm. and an equatorial
diameter of 194 cm. The ball is composed of thin strips of wood
extending from pole to pole, having first, over the same, a covering of
heavy parchment paper, and over this somewhat irregular but well-joined
pieces of fine draughting paper. It is furnished with a meridian circle
of iron, a horizon circle of wood, the whole resting on a wooden base.
The author and date legend, placed in a shield-shaped cartouch, reads,
“Opus meccanicum hoc mirifice compositum ab Ill. m̄o Domino Philippo
Antonio Morrono Archipresbitero Firmⁿᵒ Mirificentius vere geographice
distinctum a Revᵐᵒ P. Abb. D. Silvestro Amantio Moroncello
Fabrianensi. Anno a Redemptore nato MDCCXIII.” “This mechanical work was
marvelously constructed by the Illustrious D. Philip Antony Morono,
Archdeacon of Fermo. Its geographical details were wonderfully inserted
by the Rev. Father Abbot D. Silvester Amantius Moroncelli of Fabriano,
in the year of Redemption, 1713.”
In a cartouch similar to that containing the legend just quoted, though
much larger and resting on a representation of the imperial eagle of
Fermo, having a white cross on its breast and the motto “Firmum firma
fides Romanorum colonia,” there is drawn a picture of the city of Fermo
with a red background. Near the Tropic of Cancer, on the meridian of 250
degrees, there is a shield with the coat of arms of the Morone family,
and below the Tropic of Cancer, on the meridian of 200 degrees, is the
coat of arms of the author, likewise within a shield and artistically
sketched. The picture of a Moor and of a black eagle, around which is a
band of blue with three golden stars, the whole surmounted by a
prelate’s black hat with tassels, the Moor indicating the origin of the
name Moroncelli, and the prelate’s hat honoring the author’s intimate
friend, Gian Francesco Albani, who became Pope Clement XI and who had
nominated him a domestic prelate.
In longitude 113 degrees, in a shield, is the coat of arms of this pope,
at the right of which is the inscription, “Implebitur vaticinium,” at
the left “Replebitur majestate omnis terra,” and below “Irradiatibur
evangelio, studio recentis Clementiae et Successorum.” There are two or
three additional shields, in one of which is an illegible inscription,
and one has been left blank. Although meridians and parallels are
indicated, loxodromic lines are wanting, which so generally appear on
those globes constructed in the Netherlands. The nomenclature is either
Latin, Italian or local. Mythological and allegorical figures are
numerous, as are also representations of sea monsters and sailing ships.
Public-domain text, read in full here on John Shaqi.
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