Most birds have a call-note or a number of call-notes, which, generally
speaking, are specifically distinct. But to the human ear they are not
always so, perhaps because our power of hearing is less sensitive than
that of a bird, and unable to appreciate delicate differences of tone.
Be this as it may, however, the fact remains that we often find it
difficult, and in not a few cases impossible, to recognise a bird merely
by its call. The plaintive notes of the Willow-Warbler and of the
Chiffchaff are to our ears very closely akin, so, too, are those of the
Marsh-Warbler and of the Reed-Warbler, and there is a great resemblance
between the hissing sound produced by the two Whitethroats. In Co.
Donegal I have been deceived by the spring-call of the Chaffinch which,
owing possibly to the humidity of the atmosphere, is, there, almost
indistinguishable from the corresponding note of the Greenfinch. The
Yellow Bunting and the Cirl Bunting frequently make use of a similar
note, so do the Curlew and the Whimbrel. In fact, numberless instances
could be quoted in which notes appear to us identical, and, as a rule,
the more closely related the species, the more difficult it becomes to
distinguish the sounds--alike in plumage, alike in behaviour, alike in
emotional manifestation, it would be surprising if they were not alike
in voice. But the moment we pass from the call-notes to a consideration
of the songs we are faced with a very remarkable fact, for not only are
these readily distinguished, but in many cases they bear no resemblance
in any single characteristic. What could be more unlike than the songs
of the Willow-Warbler and of the Chiffchaff, of the Marsh-Warbler and
the Reed-Warbler, or of the Yellow Bunting and the Cirl Bunting?
Now when different individuals collect in flocks at certain seasons,
they assist one another in finding food, and afford mutual protection by
giving timely warning of the approach of a common enemy, and the
gregarious instinct is thus of great advantage to the species; but no
matter how powerful the impulse to flock might be, if there were no
adequate means of communication, the different units would frequently
fail to discover their neighbours. Here the specific cries and calls
come into play, enabling them as they move about in search of food, or
change their feeding grounds, or whilst they are on migration, to keep
constantly in touch with one another; and hence one purpose that these
call-notes serve is that of recognition. Moreover, they convey their
meaning to individuals of other species and are acted upon, and are thus
in every sense socially serviceable; but on the other hand, whilst
there is much evidence to show that the song is of great individual
value, there is none to show that it is in any like manner of direct
advantage to the community.
Public-domain text, read in full here on John Shaqi.
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