On an equally sudden impulse I decided I wouldn't tell anyone about
it--not even Severn. Secrecy seemed the only way to escape a constant
battery of worrying and perhaps embarrassing questions; it would also
give me freedom to throw up the business if at any moment I chose to. A
secret, therefore, it had to be, and when Severn asked me about it, I
lied to him quite emphatically. I told him (and his hero Machiavelli, at
any rate, would have condoned the falsehood) that I was really so busy
that for the present I couldn't possibly undertake any additional work.
He laughed and protested and told me I was missing a grand opportunity.
And I laughed and said I didn't think so, and all the time went on (in
secret) adding to the pile of manuscript in my bureau drawer.
But I had to lie to Helen as well. It was at the End House one evening,
when I arrived and found her playing the piano alone in the
drawing-room. That, in itself, surprised me, for since our talk in
mid-Channel she had carefully avoided any sort of tête-à-tête. But
she began, more surprisingly still: "Is it true that you are going to
write a novel about Terry?"
I shook my head and asked her (rather weakly, no doubt) who had been
spreading false rumours. She answered: "It isn't a rumour. Geoffrey says
he's been persuading you to do it, and I know how clever he is at
persuasion."
"But not clever enough to persuade an innocent journalist into
attempting what is utterly beyond him."
She struck a harsh random chord with her left hand. "I'm glad you think
that. It _is_ utterly beyond you." Then suddenly, swinging round on the
stool to face me, she asked me how he was and whether he were getting on
well.
I said that physically he was recuperating splendidly though, owing to
the slowness of his mental recovery, it would be a long while before he
could resume work.
"And then he'll go back again to Vienna?"
"I don't know. He hasn't any definite plans."
"Do you think he wants--he would like--to be invited here?"
"I'm rather afraid he doesn't want to go anywhere."
"Or to see anybody?"
"Not at present."
I suppose my answers gave her an impression of hostility, for she said,
bitterly smiling: "You don't particularly want him to see me, do you?"
"I'm not very keen, I admit."
"Why not?"
"Need you ask?"
She laughed and retorted: "Don't be afraid.... I haven't the slightest
desire to see him. There are some things I can't forgive."
"Neither can he."
"What do you mean? What are the things he can't forgive?"
"The things he has done himself."
"Such as?"
"I don't think I can tell you. As you said just now, I don't know enough
about him."
"Is he sorry he ever met me?"
"Maybe," I said hastily, as the entrance of Severn in his wheeled chair
put an abrupt end to our conversation. Heaven knows where and how it
would have ended but for that.
Public-domain text, read in full here on John Shaqi.
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