Frances stirred then, stirred and drew back. She left her green
vantage-ground and sat down again on the bank. Her eyes returned to her
sketching-block, and she began to work industriously. The hot colour
receded slowly from her face. It took on a still, mask-like expression
as though carved in marble. But the tired look had wholly left it, and
the drawn lines about the mouth were barely perceptible. They looked now
as if they sought to repress a smile.
She chose a tiny paint-brush from her box, and began to work with minute
care. The sketch under her hand was an exquisite thing, delicate as a
miniature—just a brown stream with stepping-stones and beyond them the
corner of an old thatched barn—Devon in summer-time. The babble of the
stream and the buzz of a million insects were in that tender little
sketch with its starry, meadow flowers and soft grey shadows. She had
revelled in the making of it, and now it was nearly finished.
She had counted upon finishing it that afternoon, but for some reason,
after that episode in the lane, her hand seemed to have lost its
cunning. With the fine brush between her fingers she stopped, for her
hand was shaking. A faint frown, swiftly banished, drew her brows, and
then one of them went up at a humorous angle, and she began to smile.
The next moment very quietly she returned the brush unused to its box,
laid both sketching-block and paints aside, and clasped her hands about
her knees, waiting.
The commotion in the lane had wholly ceased, but there was a sound of
feet squelching in the mud on the other side of the hedge. Frances
turned her head to listen. Finally, the smile still about her lips, she
spoke.
“Are you looking for someone?”
“By Jove!” cried back a voice in swift and hearty response. “So you’re
there, are you? I thought I couldn’t be wrong—through a stream and past
a barn, and down a hill—what damnable hills they are too in this part
of the world! How on earth does one get up there?”
Quite concisely and without agitation she made reply. “One usually goes
to the bottom of the hill, opens a gate and walks up on the other side.”
“Oh, that’s too much to ask,” protested the voice below her. “Isn’t
there some hole where one can get through?”
“If one doesn’t mind spoiling one’s clothes,” said Frances.
“Oh, damn the clothes—this infernal mud too for that matter! Here
goes!”
There followed sounds of a leap and a scramble—a violent shaking of the
nut-trees and brambles that composed the hedge—and finally a man’s
face, laughing and triumphant, appeared above the confusion.
“By gad,” he said, “you look as if you were on a throne!”
She smiled at him, without rising. “It is quite a comfortable perch. I
come here every day. In fact,” she indicated the sketching-block by her
side. “This is how I amuse myself.”
He came to her, carrying a trail of honeysuckle which he laid at her
feet. “May I share the throne?” he said.
Public-domain text, read in full here on John Shaqi.
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