From the east to the uttermost western borders of the Mediterranean
the weavers of every country had been in the habit of figuring upon
their silks those beasts and birds they saw around them: the Tartar,
the Indian, and the Persian gave us the parrot and the cheetah; the
Africans, the giraffe and the gazelle; the people of each continent,
the lions, the elephants, the eagles, and the other birds common to
both. From the sculpture of the Greeks and Romans the Sicilians could
have easily copied the fabled griffin and the centaur; but it was
left for their own wild imaginings to figure such an odd compound in
one being as the animal--half elephant, half griffin--which we see
in no. 1288. Their daring flights of fancy in coupling the difficult
with the beautiful are curious; in one piece large eagles are perched
in pairs with a radiating sun between them, and beneath are dogs,
in pairs, running with heads turned back; in another, running harts
have caught one of their hind legs in a cord tied to their collar,
and an eagle swoops down upon them; and the same animal, in another
place on the same piece, has switched its tail into the last link of a
chain fastened to its neck; on a third sample are harts, the letter M
floriated, winged lions, crosses floriated, crosses sprouting out on
two sides with _fleurs-de-lis_, and four-legged monsters, some like
winged lions, some biting their tails. Hardly elsewhere to be found
are certain elements peculiar to the patterns upon silks from mediæval
Sicily; such, for instance, as harts, and demi-dogs with very large
wings, both animals having remarkably long manes streaming far behind
them; or harts lodged under green trees in a park with paling about
it. The hawk, the eagle, double and single headed, or the parrot, may
be found on stuffs all over the east; not so, however, the swan, which
was a favourite with Sicilians and may be seen often drawn with much
gracefulness.
The Sicilians showed their strong affection for certain plants
and flowers. On a great many of the silks in the South Kensington
collection from Palermitan looms we see figured upon a tawny coloured
grounding beautifully drawn foliage in green; sometimes vine leaves,
sometimes what looks like parsley, so curled, crispy, and serrated are
its leaves. Another peculiarity is the introduction of the letter U,
repeated so as to mark the feathering upon the tails of birds; or to
fall into the shape of an O; as in nos. 8591, 8599.
Public-domain text, read in full here on John Shaqi.
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