Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
The rich crimson velvet cope, No. 79, p. 2, has a fine hood figured
with the coming down, after the usual manner, of the Holy Ghost upon
the infant church. No. 8595, p. 226, presents us with a shred merely
of what must have been once a large hanging for the chancel walls,
or perhaps one of the two curtains at the altar’s sides, having such
fragments of some Latin sentences as these:--“et tui amoris in eis
... tus. Re ... le tuoru.” The subject on the cope’s hood tells of
Pentecost Sunday; so too does the second article, for those broken
sentences are parts of particular words: “Veni Sancte Spiritus, reple
tuorum corda fidelium: et tui amoris in eis ignem accende,” to be found
both in our own old English Salisbury missal, and breviary, but in
every like service-book in use during the mediæval period throughout
western Christendom. Be it kept in mind that both these liturgical
appliances are red or crimson; and as now, so heretofore, as well
in old England, as elsewhere this very colour has been employed for
the church’s vestments, thus to remind us of those parted tongues,
as it were, of fire that sat upon every one of the Apostles.[393] We
mention all this with a view to correct an error in lexicography.
In our dictionaries we are told that “Whitsuntide” is a contracted
form of White Sunday tide, so called from the white vestments worn on
that day by the candidates for baptism. Nothing of the sort; but the
word “wits,” our intellect or understanding, is the root of the term,
for a curious and valuable old English book of sermons called “The
Festival,” tells us:--“This day is called Wytsonday by cause the Holy
Ghoost brought wytte and wysdom in to Cristis dyscyples; and so by her
preachyng after in to all Cristendom.”[394]
[393] Acts ii. 1-11.
[394] In die Penthecostes, fol. xlvi. verso.
Somewhat akin to this subject, are those several christening cloaks
here, pp. 8, 9, 10, 11. Not long ago the custom was to carry to church
for baptism the baby wrapped up in some such a silken covering which
was called a bearing-cloth. Of old, that used to be a conspicuous
article in all royal christenings; and amongst our gentry was looked
upon as worthy enough of being made a testamentary bequest. At the
christening of Arthur Prince of Wales, eldest son of Henry VII. “my
Lady Cecill, the Queen’s eldest sister, bare the prince wrapped in a
Mantell of Cremesyn Clothe of Golde furred with Ermyn,” &c.[395] Such
ceremonial garments varied, according to the owner’s position of life,
in costliness; hence Shakespeare makes the shepherd, in the “Winter’s
Tale,” cry out, “Here’s a sight for thee; look thee, a bearing cloth
for a squire’s child!”[396] A well-to-do tradesman bequeathed, A.D.
1648, to his daughter Rose his “beareing cloath such ... linnen as is
belonginge to infants at their tyme of baptisme.”[397]
Public-domain text, read in full here on John Shaqi.
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