Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Very often in our old country houses are found, thrown aside in some
antique chest, certain small square pieces of nice embroidery, the
former use for which nobody now knows, and about which one is asked. If
their owners would look at those several cradle-quilts here--pp. 4, 13,
66, 67, 100, 103, 104, 110--they might find out such ancient household
stuff was wrought for their forefathers’ comfort and adornment, when
mere babies. The evangelists’ emblems figured on several among these
coverlets: such as No. 1344, p. 67, No. 4459, p. 100, No. 4644, p. 103,
will call to mind those old nursery-rhymes we referred to at p. 103. Of
yore, not only little children, but grown-up, ay, aged men too loved to
think about those verses, when they went to sleep, for the inventory
of furniture taken, A.D. 1446, in the Priory of Durham, tells us that
in the upper chamber there was a bed-quilt embroidered with the four
Evangelists--one in each corner: “j culcitrum cum iiij or Evangelistis
in corneriis.”[398]
The bag or purse, No. 8313, p. 188, is of a kind which not only were
used for those liturgical purposes which we have already enumerated,
but served for private devotional practices. In that very interesting
will made by Henry, Lord de Scrope, A.D. 1415, among other pious
bequests, is the following one, of the little bag having in it a piece
of our Lord’s cross, which he always wore about his neck;--“j bursa
parva quæ semper pendet circa collum meum cum cruce Domini.”[399]
[395] Leland’s Collectanea, t. iv. pp. 205, 180, 181, 183.
[396] Act iii. scene iii.
[397] Bury Wills, &c. p. 186.
[398] Hist. Dunelm. Scriptores Tres, ed. Surtees Society, p. cclxxxvii.
[399] Rymer’s Fœdera, t. ix. p. 278.
The crimson velvet mitre,--No. 4015, p. 85,--for the boy-bishop,
bairn-bishop, or Nicholas-tide bishop, as the little boy was severally
called in England, is a liturgical curiosity, as the ceremonies in
which it was formerly worn are everywhere laid aside. Among the things
given for the use of the chapel in the college--All Souls--of his
founding at Oxford by Archbishop Chicheley, are a cope and mitre for
this boy, there named the Nicholas-tide bishope:--“i cap. et mitre pro
episcopo Nicholao.”[400] To make good his election to such a dignity,
at Eton College, a boy had to study hard and show at the examination
for it, that he was the ablest there at his books: his success almost
ennobled him among his schoolfellows:--“In die Sti Hugonis pontificis”
(17 Nov.) “solebat Ætonæ fieri electio Episcopi Nihilensis, sed
consuetudo obsolevit. Olim episcopus ille puerorum habebatur nobilis,
in cujus electione, et literata et laudatissima exercitatio, ad
ingeniorum vires et motos exercendos, Ætonæ celebris erat.”[401] The
colour, crimson, in this boy’s mitre, was to distinguish it from that
of bishops.
Public-domain text, read in full here on John Shaqi.
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