Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
What is still more curious, we are told that the lamb itself was
spitted as if it had been meant to bear about its body, an unmistakable
likeness to a kind of crucifixion. Treating of the passover, the Talmud
says:--The ram or kid was roasted in an oven whole, with two spits made
of pomegranate wood thrust through it, the one lengthwise, the other
transversely (crossing the longitudinal one near the fore-legs) thus
forming a cross.[412] Precisely the same thing is said by St. Justin,
martyr, born A.D. 103, in his Dialogue with Tryphon the Jew. This very
mode of roasting is expressed in Arabic by the verb “to crucify;”
according to Jahn, in his “Biblical Antiquities,” § 142, as quoted by
Kitto, under the word Passover.[413]
[412] Pesachim, c. 3.
[413] T. ii. p. 477 of the “Cyclopædia of Biblical Literature.”
From the words of St. Jerome, it would seem that that learned hebraist,
well knowing, as he did, the traditions of the rabbins of his day, had
understood from them that the mark of the lamb’s blood sprinkled on the
doors of the Israelites going out of Egypt, had been so made as to take
the shape of a cross.
Deeply smitten as the whole of Egypt must have been at the woe that
befel them and theirs, the night before the great exode of the
Israelites from among them, those Egyptians could not help seeing
how all the Hebrews, their children, and their flocks had gone forth
scatheless out of that death-stricken land. At peep of dawn, the blood
upon the door-posts of every house where an Israelite had lately
dwelt, told the secret; for the destroyer had not been there. From
that hour, a Tau was thought by them to be the symbol of health and
safety, of happiness, and future life. St. Epiphanius, born A.D. 310,
in Palestine, for many years Archbishop of Salamis in Cyprus, and a
great traveller in Egypt, tells us, that being mindful of that day on
which the Israelites who had besmeared the door-posts of their houses
with the blood of the lamb, had been spared the angel’s death-stroke,
the Egyptian people were accustomed, at every vernal equinox--their new
year--to daub, with red paint, their doors, their trees, and animals,
the while they cried out that, “once at this time fire blighted every
thing;” against such a plague, they think that the remedy is a spell in
the colour of blood: “Egyptios memores illius diei quo a cæde angeli
liberati sunt Israelitæ qui agni sanguine postes domorum illinierant,
solitos esse, intrante æquinoctio vernanti, accipere rubricam et
illinere omnes arbores domosque clamantes ‘quia in tempore hoc ignis
vastavit omnia’ contra quam luem remedium putant ignis colorem
sanguineum rubricæ.”[414]
[414] Hæreses, xviii.
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