Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
A fine specimen, in every respect, of Chinese manufacture; the satin
itself is of the finest, softest kind; whether we look at the green or
the light rose-colour, nothing can surpass either of them in tone and
clearness. Few European dyers could give those tints.
In its present form this piece constituted an article to be found,
and even yet seen, in very many families in Italy, Germany, and
France, and was employed for christening occasions, when the nurse or
midwife wore it over her shoulders, like a mantle, for muffling up the
new-born babe, as she carried it, in state, to church for baptism.
In this, as in other specimens of the Museum, there was a running
string at top by which it might be drawn tight to the neck. Those who
have lived abroad for even a short time must have observed how the
nurse took care to let a little of this sort of scarf hang out of the
carriage-window as she rode with baby to church. The christening cloth
or cloak was, not long since, in use among ourselves.
703.
Christening Cloak of bright red satin. Italian, 18th century. 5 feet by
5 feet 11 inches.
The material is rich, and of a colour rather affected for the purpose
in Italy.
704.
Christening Cloth or Cloak of murrey-coloured velvet. Italian, 17th
century. 8 feet by 5 feet 5 inches.
The pile is soft and rich, and its colour, once such a favourite in
the by-gone days of England, of a delicious mellow tone. Like Nos. 702
and 703, it robed the nurse as she went to the baptismal font with the
new-born child, and has the string round the neck by which it could be
drawn, like a mantle, about her shoulders.
705.
Lady’s Dress of brocaded satin; ground, dull red; pattern, slips of
yellow flowers and green leaves. Italian, late 18th century. 4 feet
10½ inches.
The satin is rich, but the tinsel, in white silver, tawdry.
706.
Skirt of a Lady’s Dress of brocaded silk; ground, white; pattern,
bunches of flowers in pink, blue, yellow, and purple, amid a diapering
of interlaced strap-design in white flos-silk. French, 18th century. 3
feet 3 inches.
Good in material, but in pattern like many of the stuffs which came
from the looms of the period at Lyons.
707.
Christening Scarf of white brocaded silk. Lucca, 17th century. 5 feet
square.
Of a fine material and pleasing design.
708.
Piece of green Silk Brocade; pattern, lyres, flowers, ribbons with
tassels. French, 18th century. 5 feet 6 inches by 1 foot 8 inches.
709.
Skirt of a Lady’s Dress; ground, bright yellow, barred white; pattern,
a brocade in small flowers in gold, green, and red sparingly sprinkled
about. Italian, 18th century. 7 feet 8 inches by 3 feet 4 inches.
A pleasing specimen of the time.
710.
Piece of White Silk, brocaded with flowers in white flos-silk, and
in silver, between bands consisting of three narrow slips in white.
French, 17th century. 5 feet by 4 feet 6 inches.
Public-domain text, read in full here on John Shaqi.
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