Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Though done in worsted, and such a tiny fragment of that great but
debated historical work, it is so far a valuable specimen as it shows
the sort of material as well as style and form of stitch in which
the whole was wrought. In the “Vetusta Monimenta,” published by the
Society of Antiquaries, plate 17, shows, in large, a portion of this
embroidery where the piece before us is figured; and, from the writing
under it, we learn that it was brought away from Bayeux by Mrs.
Stothard, when her husband was occupied in making drawings of that
interesting record. There is not the slightest reason for believing
that this embroidery was the work of Matilda, or any of her ladies of
honour, or waiting maids; but all the probabilities are that it was
done by English hands, may be in London by order, and at the cost, of
one or other of three knights from Bayeux, who came over with William,
on whom he bestowed much land in England, as we have already shown in
the Introduction to this Catalogue, § 4.
698.
Door-curtain, ground, yellow and gold; pattern, in rich raised green
velvet, two small eagles with wings displayed, and between them a
large vase, out of which issues a conventional flower showing the
pomegranate, surmounted by a modification of the same fruit amid
wide-spreading foliations. Milanese, 16th century. 8 feet 8 inches by 6
feet 6 inches.
Though the golden threads of the ground in this magnificent stuff
are much tarnished, still this piece is very fine, and may have been
part of some household furniture wrought at the order of the Emperor
Charles V, whose German eagle is so conspicuous in the design, while
the pomegranate brings to mind Spain and Granada.
699.
Piece of Embroidery; ground, a brown fine linen, backed with strong
canvas; pattern, female figures, monkeys, flowers, shells, &c. in
coloured worsteds. French, late 17th century. 8 feet 9 inches by 8 feet
3 inches.
This large work is admirably done, and a fine specimen both of the
taste with which the colours are matched, and the stitchery executed;
and it may have been intended as the hanging for the wall of a small
room.
700.
Lady’s dress, white silk; embroidered with flowers in coloured silks
and gold and silver threads. Chinese, 18th century. 4 feet 2½ inches.
Worked by order, very probably of some European dame, at Macao or
Canton, and exactly like No. 713 in design and execution. The gold and
silver, as in that, so in this specimen, are much tarnished.
701.
Lady’s Dress, sky-blue satin; brocaded with white flowers, in small
bunches. French, late 18th century. 4 feet 7 inches.
702.
Christening Cloak of green satin, lined with rose-coloured satin.
Chinese. 5 feet 8½ inches by 3 feet 6¾ inches.
Public-domain text, read in full here on John Shaqi.
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