Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
On the orphrey,--made in the shape of a cross and worn on the back
of the chasuble, No. 1195,--the first angel plays the pan-pipes; the
second, a gittern, or the modern guitar; the next two show one angel,
as a deacon in dalmatic, jingling an instrument which he holds by two
straps, hung all round with little round ball-like bells; and his
companion, robed in alb and stole crossed at the breast like a priest,
ringing two large hand-bells; lower down, of the two angels both
vested as deacons, one blowing a large, long curved-horn, like that
of the aurochs, the other, the shalmes or double-reeded pipe. Below
these, one in alb and stole, belt-wise as a deacon, blows a cornamuse
or bag-pipe; the other, as deacon, the aurochs’ horn. Then a deacon
angel has a trumpet; his fellow, a priest in alb and crossed stole,
is playing a triangle; last of all, one plays a tabour, the other the
monochord. So noteworthy are these admirable embroideries, that they
merit particular attention.
1233.
A stole; ground, very pale yellow silk; design, an interlacing
strap-work in the greater part; for the expanding ends, a diamond in
gold thread, with a fringe of silk knots alternately crimson and green;
the lining, thin crimson silk. English or French, 13th century. 9 feet
9 inches by 1¾ inches in the narrow parts, and 2½ inches in the
expanded ends.
Another of those specimens of weaving in small looms worked by young
women in London and Paris, during the 13th century, which we have met
in this collection. As the expanded ends are formed of small pieces
of gold web they were wrought apart, and afterwards sewed on to the
crimson silk ground. The design of the narrow part has all along its
length, at its two edges, a pair of very small lines, now brown,
enclosing a dented ornament. As a liturgical appliance, this stole,
for its perfect state of preservation, is valuable; Dr. Bock says
that a stole called St. Bernhard’s, now in the church of our Lady at
Treves, as well as another curious one in the former cathedral at
Aschaffenburg, are in length and breadth, just like this.
1234.
Tissue of Silk and Cotton; the warp, cotton; the woof, silk; ground,
green; design, so imperfect that it can hardly be made out, but
apparently a monster bird in yellow, lined and dotted in crimson;
standing on a border of a yellow ground marked with crosses and mullets
of four points. Syrian, late 12th century. 6¾ inches by 4½ inches.
When perfect this stuff must have been somewhat garish, from its
colours being so bright and not well contrasted.
1235.
Tissue of Silk and Cotton; the warp, silks of different colours; the
woof, fawn-coloured fine cotton; design, stripes, the broader ones
charged with wild beasts, eagles, and a monster animal having a human
head; the narrow bands showing a pretended Arabic inscription. Syrian,
13th century. 13 inches by 2 inches.
Public-domain text, read in full here on John Shaqi.
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