Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
So very torn and worn away is this piece that the whole of its
elaborate design cannot be made out; but enough is discernible to
prove an Asiatic influence. The monster, with the human face staring
at us, calls to mind the Nineveh sculptures in the British Museum.
1236.
Silk Damask; ground, crimson silk; pattern, in gold thread, two very
large lions, and two pairs, one of very small birds, the other of
equally small dragons, and an ornament not unlike a hand looking-glass.
Oriental, 14th century. 2 feet 5½ inches by 2 feet ½ inch.
A piece of this same stuff is described under No. 7034 in this
catalogue; and Dr. Bock, in his useful work, “Geschichte der
Liturgischen Gewänder des Mittelalters,” t. i. plate iv. has figured
it.
1237.
Tissue of Silk; ground, dull reddish deep purple; design, a lozenged
diapering. South Italian, 13th century. 6½ inches by 5½ inches.
So thin is this web that we may presume it was meant as a stuff for
lining garments of a richer texture.
1238.
Piece of Linen, or the finest byssus of antiquity. Egyptian. 5½
inches by 3 inches.
Whether this very curious example of that rare and fine tissue known
in classic times, and later, as byssus, was of mediæval production in
Egypt, or found in one of the ancient tombs of that land, would be
hard to determine. Another equally fine and no less valuable specimen
may be seen in this collection, No. 8230.
From Dr. Bock we learn that the sudary of our Lord, given to the Abbey
of Cornelimünster, near Aix-la-Chapelle, by the Emperor Louis the
Pious, circa A.D. 820, was much like the present example.
1239.
Piece of Silk Damask; ground, creamy white; design, broad-banded
lozenges, enclosing a two-headed displayed eagle, and a pair of birds
addorsed, each within an oval. Greek, 11th century. 10¾ inches by
7½ inches.
It is said to have been a fragment of the imperial tunic belonging
to Henry II, Emperor of Germany; and not unlikely. If wrought for
the occasion, and a gift from his imperial brother-Emperors of
Constantinople, Basil and Constantine, worthy was it for their sending
and of his acceptance, since the silk is rich, the texture thick,
and the design in accordance with the ensigns of German royalty. In
shreds, and ragged as it is, we may prize it as a valuable piece.
1240.
Piece of Silk and Cotton Damask; ground, a yellowish green; design,
large elliptical spaces filled in with Saracenic figurations. The warp
is of green cotton, the woof, of pale yellow silk. South of Spain, 14th
century. 16½ inches by 4¾ inches.
This strong stuff most likely came from the looms of Granada.
1240A.
Piece of Silk and Cotton.
Another piece of the same texture.
1241.
Silk and Cotton Damask; ground, blue; design, circles filled in with
conventional ornamentation in crimson (now faded). Greek, 13th century.
15¼ inches by 7½ inches.
Public-domain text, read in full here on John Shaqi.
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