Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
In some very small parts of the pattern, at first sight, indications
appear of four-footed animals, but the outlines are a fortuitous
combination. This stuff is poor in material, and the design not very
artistic.
1242.
Silk and Cotton Damask; ground, light green; design, a Saracenic
pattern formed by lines in long lozenges. South of Spain, 14th century.
9¾ inches by 7 inches.
Much like in tint and style of pattern the fine specimen at No. 1240.
In both the Moslem’s sacred colour of green may be noticed, and the
two pieces may have been woven at Granada.
1243.
Damask, silk and linen; ground, crimson and yellow stripes; design, on
the crimson stripes, circles enclosing a lion rampant, and six-petaled
flowers, in yellow; on the yellow, one stripe with flowers in white
silk, the other with flowers in gold, now faded black. Syrian, 14th
century. 7½ inches by 6¾ inches.
The quality of this damask is coarse, from the great quantity of
thread of a thick size wrought up in it. The design has no particular
merit.
1244-1244C.
Pieces of Damask; ground, gold; design, in crimson silk, broad round
hoops, marked with a golden floriation, and enclosing a lion passant,
the spaces between the hoops filled in with a floriated square topped
by fleur-de-lis. Sicilian, 14th century. Each piece about 4½ inches
square.
When whole the design of this rich stuff must have been effective, and
the fragments we here have prove it to have been sketched in a bold
free style. Unfortunately, so bad was the gold that, in places, it
has turned green. The warp is of a thick linen thread, but, though it
gives a strength to the texture, is not to be perceived upon its face.
1245.
Piece of Silk and Gold Damask; ground, crimson silk; design, a net-work
formed by cords twined into circles enclosing four V’s, put so as to
form a cross, and the meshes filled in alternately with a flower and a
leaf, each surrounded by a line like an eight-petaled floriation, all
in gold thick thread. Sicilian, 14th century. 5 inches by 4¾ inches.
The way in which the pattern affects the form of a cross in its design
is remarkable.
1246.
Silk Damask; ground, brick-red; design, within broad-banded squares,
ornamented with stars and flowers, a large double-headed eagle with
wings displayed. Greek, 13th century. 12½ inches by 8 inches.
Being so very thin in texture, it is not surprising that this stuff
is in such a tattered condition. When new, it must have been meant,
not for personal wear, but rather for church purposes, or household
use, as the hanging of walls. Its design is not happy, and the
ornamentation about the eagle thick and heavy.
1247.
Public-domain text, read in full here on John Shaqi.
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