Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Part of an Altar-Frontal, embroidered, in coloured threads, upon coarse
canvas; design, within a medallion, the ground, light blue and broad
border, fawn-colour, a figure, seated, holding in his left-hand a
staff, and having on his knee an open book inscribed,--“Ego sum Liber
Vite.” The figure is clothed in a girded white tunic, and a mantle now
fawn-coloured; but the head is so damaged that the personage cannot be
recognized; the probability is that it represents our Lord in majesty,
having the staff of a cross in one hand and giving His blessing with
the other. German, early 12th century, 12¾ inches by 10 inches.
1252A.
Part of an Altar-Frontal; design, the busts of two winged and nimbed
angels, within round arches, bearing between them a white scroll
with these words--“Deus Sabaoth.” This was a portion of the frontal
mentioned above. German, early 12th century. 17 inches by 7¼ inches.
In both pieces the parts now fawn-coloured have faded into such from
crimson.
1253.
Silk Damask; ground, fawn-colour; design, in light green, a sprinkling
of fleur-de-lis amid griffins, in pairs, rampant, regardant. Sicilian,
14th century. 10 inches by 8 inches.
The pattern is not of that spirited character found on many of the
earlier specimens of the Sicilian loom; the griffins, especially, are
weakly drawn. The fleur-de-lis would signify that it was wrought for
some French family or follower of the house of Anjou.
1254.
Silk Damask; ground, crimson; design, a diapering of birds pecking at a
cone-like ornament ending in a fleur-de-lis, all in yellow. Sicilian,
14th century. 5 inches by 4 inches.
A very thin stuff with a pattern of a small but pretty design. What
the birds are with their long square tails is hard to guess; so, too,
with respect to the ornament between them, like a fir-cone purfled at
its sides with crockets, and made to end in a flower, which may have
some reference to the French family of Anjou, once reigning in Sicily.
The stuff itself is poor and may have been woven for linings to richer
silks.
1255.
Shred of Silk Damask; ground crimson; design, seemingly horsemen
separated by a large circular ornament in one row, and the gable of
a building in the other, in yellow and blue. Greek, 12th century. 8
inches by 6¼ inches.
Though this stuff be thin and poor, the design, could it be well seen,
would be curious. The circle seems a leafless but branchy tree, with a
low wall round it; and the gable is full of low pillared arches with
voids for windows in them.
1256.
Fragments of Narrow Orphrey Web; ground, crimson; design, in gold
ramified scrolls, with beasts and birds. English or French, 13th
century, 10½ inches by 3 inches.
Public-domain text, read in full here on John Shaqi.
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