Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Both with regard to its golden cloth, and the figures upon it,
this piece is very valuable. The stuff is of that kind which our
countryman, John Garland, tells us was wrought by young women at his
time, and shows, in its grounding, a pretty zig-zag pattern. The
two kneeling figures, though done in mere outline of the scantiest
sort, display an ease and gracefulness peculiar to the sculpture and
illuminations in England and France of that period. St. Blase is
shown us vested in his chasuble and mitre--low in form--with a very
long grey beard, and holding a comb in one hand--the instrument of
his martyrdom; St. Stephen is robed as a deacon, and kneeling amid a
shower of large round stones, pelted at him on all sides.
1271.
Silk and Gold Damask; ground, light green silk; design, griffins
passant and fleur-de-lis in one row, fleur-de-lis and slipped
vine-leaves arising from two tendrils formed like the letter C, and put
back to back, all in gold. Sicilian, 14th century. 12 inches by 7½
inches.
The whole of this pattern is thrown off with great freedom, and an
heraldic eye will see the boldness of the griffins. The vine-leaves
are as crispy as any ever seen upon such stuffs, and the whole does
credit to the royal looms of Palermo, where it was probably wrought at
the command of the prince, for himself, or as a gift to some French
royalty. An exactly similar stuff to this may be found at No. 7061;
and it is said that the robes now shown at Neuburg, near Vienna, are
traditionally believed to have been worn, at his marriage, by Leopold
the Holy.
1272.
Silk and Cotton Stuff; ground, light purple cotton; design, small but
thick foliage, interspersed with birds of various kinds, in pairs and
face to face, in amber-coloured silk. Sicilian, 14th century. 9½
inches by 7 inches.
Though so small in its elements, this is a pleasing design, and
extremely well drawn, like all those from Palermo.
1273.
Silk and Cotton Damask; ground, of cotton, a light orange; design,
within a ten-cusped circle, and divided by the thin trunk of a tree,
two cocks, face to face, all in gold thread, upon a purplish crimson
ground, and between the circles an ornamentation in which a small crown
tipped with fleur-de-lis, over a lion passant gardant, is very frequent
in gold. Sicilian, late 14th century, 10¼ inches by 3 inches.
Though such a mere rag, this piece is so far valuable, as it shows
that France then got her silken stuffs from Sicily, and, in this
instance, perhaps sent her own design with her Gallic cock, and her
fleur-de-lis mingled so plentifully in it. How or why the lion is
there cannot be explained.
1274.
Silk Damask; ground, fawn-colour; design, parrots, and giraffes in
pairs, amid floriated ornamentation, all, excepting the parts done in
gold, of the tint of the ground. Sicilian, 13th century. 20½ inches
by 10½ inches.
Public-domain text, read in full here on John Shaqi.
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