Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Upon an egg-shaped figure, nicely filled in with graceful floriated
ornaments, stand two parrots, breast to breast, but with heads
averted, which (as well as their pinion-joints, marked by a broad
circle crowded with little rings on their wings, and legs and claws)
are wrought in threads of gold, all now so tarnished as to look as if
first worked in some dull purple silk. Their long broad perpendicular
tails have the feathers shown by U shaped lines, looking much like
the kind of ornamentation noticed under Nos. 8591, 8596, 8599. Below,
and back to back, or--as some may choose to see them--affronted,
and biting the stems of the foliage, are two giraffes, with one leg
raised--may be better described as tripping. They are specked all
over with quatrefoil spots, and have head and hoofs done in gold, now
faded to black. This stuff is as beautiful in design as substantial in
its material, being all of good fine silk; though so poor and sparing
was the gold upon the thread, that it has quite faded. From the curve
at the upper end, this piece seems to have been cut out of an old
chasuble.
1275.
Silk Damask (made up of four pieces); ground, brown, once purple;
design, in gold thread and coloured silks, griffins, eagles, and
flowers. Sicilian, early 13th century. 19½ inches by 19¼ inches.
At top we have a row of griffins looking to the east, mostly
wrought in gold, but relieved on coloured silks, and having at the
pinion-joints of the wing that singular circle, filled in with a small
design; then a row of conventional flowers in red, crimson, green, and
white, and, last of all, a row of eagles at rest, done mostly in gold,
slightly shaded with green, and looking west. The beasts and birds are
admirably drawn, and when the stuff was new it must have been very
fine and effective, though now the gold looks shabby.
1276.
Stole, of silk and gold damask; ground, purple silk; design, mostly
in gold, pricked out with green silk, a floriated oval, filled in
with a pair of young parded leopards, addorsed regardant, and wyverns
regardant in couples. Sicilian, late 13th century. 8 feet 4 inches by 3
inches, not including the expanded ends.
This is a magnificent stuff; but the stole itself could have been made
out of it only in the middle of the 17th century.
1277.
The Hood of a Cope; silk and gold; ground, fawn-coloured silk; design,
bands, in gold thread, alternately broad, figured with harts couchant,
and flowers with an oblique pencil of rays darting down; and narrow,
marked with rayless flowers. Underlying the latter gold band is a very
broad one of silk, figured in green, with collared dogs running at
speed towards a small swan, with sprigs of flowers, green and white,
between them. Sicilian, late 13th century. 14½ inches by 13½
inches.
Public-domain text, read in full here on John Shaqi.
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