Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
The design in all its elements is so like many other specimens
wrought by the looms of Palermo at the period, that we are warranted
to presume it came from that great mart of silken stuffs during the
middle ages. So thin in its texture, it must have been meant for the
lining of a heavier material. Père Martin has figured, in his very
valuable “Mélanges d’Archéologie,” t. iv. plate xxii, a piece of silk,
now in the Museum of the Louvre, almost the same in pattern, but
differing much in colour, from the specimen before us. In the specimen
at Paris little dogs and dragons, both in pairs, come in, but here
they are wanting; so that we may learn that, to give variety to the
pattern, parts were changed. Upon the shield there is a charge not
unlike a star, rather oblong, of six points.
1288.
Damask, silk and cotton; ground, deep bluish green; design, pairs of
monsters, half griffin, half elephant, in gold, a conventional flower
in light green, enclosing a pair of wings in gold, and pairs of birds
amid foliation, with short sentences of imitated Arabic here and there.
Sicilian, early 14th century. 14 inches by 11 inches.
This is a fine and noteworthy production of the Palermitan loom, and
shows in its pattern much fancy and great freedom of drawing; for
whether we look at those very singular griffin elephants, sitting
in pairs--and gazing at one another, or the two birds of the hoopoe
family, with a long feather on the head, or the two gold wings
conjoined and erect, so heraldically tricked, with that well-devised
flower ending in a honeysuckle scroll, an ornament sprinkled all
about, we cannot but be pleased with the whole arrangement. The
combination of elephant and griffin in ornamentation is almost,
perhaps quite, unique. The pretended Arabic points to a locality
where once Saracenic workmen laboured, and left behind them their
traditions of excellency of handicraft. In Dr. Bock’s “Geschichte der
Liturgischen Gewänder des Mittelalters,” 4 Lieferung, pl. ix. may be
seen this curious stuff figured.
1289.
Part of a Maniple, silk damask; ground, fawn-coloured; design, an
ovate foliation amid monster beasts and birds, all in light blue silk,
excepting the heads of the birds; the feet and heads of the animals
done in gold. Sicilian, late 13th century. 13¼ inches by 7 inches.
1289A.
Part of a Maniple, silk damask; ground, fawn-coloured; design, an ovate
foliation amid small lions and large monster beasts and birds, in light
blue silk, excepting the small lions all in gold, and the heads and
claws of the others in the same metal. Sicilian, late 13th century.
21½ inches by 6½ inches.
Public-domain text, read in full here on John Shaqi.
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