Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Silk Damask; ground, amber yellow; design, the sun in its splendour, an
eagle in gold, a green tree. Sicilian, 14th century. 7¼ inches by
5½ inches.
1284.
Silk Damask; ground, amber yellow; design, a hart, in gold, lodged
beneath green trees in a park, the paling of which is light green, with
a bunch of the corn-flower before it. Sicilian, 14th century. 7 inches
by 6½ inches.
1284A.
Silk Damask; ground, amber yellow; design, a running hart, in gold,
amid foliage. Sicilian, 14th century. 8 inches by 4½ inches.
The last four pieces are, in fact, but fragments of the same stuff,
and when put together make up its original pattern, and beautiful it
must have seemed when beheld as a whole; the bird and animals are done
with much freedom and spirit; so likewise the foliage: but two of the
portions, by being more exposed to the light, are much faded, in such
a manner that the green in them has almost fled. As usual, so poor was
the golden thread that the bird and animals now look almost black, but
here and there, with a good glass, shimmerings of gold may be found
upon them. To some eyes the sun may look like a rose surrounded by
rays. At one time or another an unfeeling hand has most plentifully
sprinkled all these four pieces with flowers made from gilt paper
stamped out, and pasted on the staff with stiff glue. The silk,
especially the yellow, of this tissue was mixed with very fine threads
of cotton.
1285.
One of the Ends of a Stole, embroidered in beads; ground, dark blue;
design, very likely the head of an apostle, in various coloured and
gold beads. Venetian, late 12th century.
So like both in design, execution, and materials to the portion of an
orphrey, No. 8274, that it would seem this piece was not only worked
by the self-same hand, but formed a part of the self-same set of
vestments. The places, now bare, in the nimb and neck, were, no doubt,
once filled in with fine seed-pearls that have been wantonly picked
out. The other end of the same stole to which this belonged is the
following.
1286.
Exactly like the foregoing; but if in its fellow piece seed-pearls are
not to be seen, here they are left in part of the nimb, but especially
over the left eye. Of the large piece with the head of the Blessed
Virgin Mary, we have spoken at length, No. 8274.
1287.
Silk and Cotton Damask; ground, light yellow silk; design, a
reticulation of vine-branches bearing grapes and leaves, and enclosing
butterflies, an armorial shield having a royal crown over it, all in
light purple cotton. Sicilian, early 14th century. 17½ inches by
15½ inches.
Public-domain text, read in full here on John Shaqi.
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