Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Such cushions, and of so remote a period, are great liturgical
curiosities, and, fortunately, the present one is in very good
preservation, and quite a work of art. Throned within a Gothic
building, rather than beneath a canopy, sits the mother of the Divine
Babe, who is outstretching His little hands towards the lily-branch
which the approaching St. Joseph is holding in one hand, while in
the other he carries a basket of doves. Outside, and on the green
sward, are kneeling four angels robed as deacons, three of whom bear
lily flowers, a fourth the liturgical fan; the whole is encircled by
a garland of lilies. The under-side is worked with white doves in
pairs, and a green tree blooming with red flowers; and though much of
the needlework is gone, this cushion is a good example for such an
appliance. Dr. Bock has figured it in his “Geschichte der Liturgischen
Gewänder des Mittelalters,” 1 Band, 2 Lieferung, p. xiii.
1325.
Part of an Altar-cloth; ground, linen; design, amid foliage sparingly
heightened with yellow silk, birds, and beasts, and one end figured
with the gammadion. German, 14th century. 6 feet 4½ inches by 2 feet
2½ inches.
This altar-cloth, now shortened and without one of its ends figured
with the gammadion, is made up of two different pieces, of which one
showing two large-headed pheasants, put one above the other, amid
foliage plentifully flowered with the fleur-de-lis and roses, is quite
perfect in its pattern; but the other, marked with alternate griffins
and lions, has been cut in two so as to give us but the hinder half of
each animal, amid a foliage of oak-leaves. The whole design, however,
is boldly drawn and spiritedly executed.
1326.
Damask, silk and cotton; ground, green; design, large and small
conventional artichokes, in gold and yellow silk, amid garlands in
white silk. Italian, 15th century. 2 feet 10 inches by 1 foot 3¼
inches.
Though much cotton is mixed up with the silk, and its gold was of
an inferior quality, still the crowded and elaborate design of its
pattern makes this stuff very pleasing.
1327.
Silk Net; green. Turkish, 16th century (?). 11½ inches by 4½
inches.
Such productions of the loom are used among the Moslem inhabitants of
the East in various ways, for concealing their females when they go
abroad in carriages, &c.
1328.
Linen Diaper. Flemish, 15th century. 2¾ inches square.
Very likely from the looms of Yprès, then famous for its napery, and
which gave its name, “d’ypres,” to this sort of wrought linen.
1329.
Part of an Orphrey Web; ground, crimson silk; design, straight branches
bearing flowers and boughs, in gold thread; and amid them St. Dorothy
and St. Stephen. German, 15th century. 23 inches by 2¾ inches.
Public-domain text, read in full here on John Shaqi.
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