Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
1321.
Small Piece of Embroidery; background, canvas diapered with lozenges
in brown thread; foreground, once partly strewed with streaks of gold;
design, two men bearded and clad in long garments, seemingly personages
of the Old Law, talking to each other. Florentine, 15th century.
With quite an Italian and Florentine character about them, these two
figures, both worked in silk, have no great merit; though there are
some good folds in the brown mantle, shot with green, of the hooded
individual standing on the left-hand. That it has been cut away from
some larger piece is evident, but what the original served for,
whether a sacred or secular purpose, it is impossible now to say.
1322.
Stole; ground, light blue silk; design, a thin bough roving along
the stole’s whole length in an undulating line, and sprouting out
into fan-like leaves, and small flowers, and in a white raised cord,
narrowly edged with crimson silk and gold thread. At one expanded end
is the Holy Lamb upon a golden ground; at the other, the dove, emblem
of the Holy Ghost, alighting upon flowers. German, 15th century. 8 feet
6½ inches by 3¾ inches.
Though the work upon this stole is rather coarse, still from its
raised style it must have been effective; but its chief value is from
having been a liturgic ornament. The diapering at the end figured with
the Holy Lamb, done upon a yellow canvas ground, with its thin golden
threads worked into three circles, with their radiations not straight
but wavy, is remarkable, and may be found upon another work wrought by
a German needle in this collection. Not only the Lamb and the Dove,
but the floriation, are thrown up into a sort of low relief.
1323.
Embroidered Linen; design, barbed quatrefoils filled in with armorial
birds and beasts, and the spaces between wrought with vine-leaves.
German, 15th century. 16 inches by 11¾ inches.
This is but a piece of a much larger work, the pattern of which,
in its entire form, can only be guessed at from a few remains. One
quatrefoil is occupied by a pair of eagles (as they seem to be)
addorsed regardant; and the two legs of another three-toed creature
remaining near them prove that other things besides the eagles were
figured. The whole is coarsely done in coarse materials, and, in
workmanship, far below very many specimens here. It appears to have
served for household not for church use.
1324.
Embroidered Cushion for the missal at the altar; ground, crimson
silk; design, our Infant Lord in the arms of the Blessed Virgin Mary,
with St. Joseph and four angels worshipping, on the upper side, in
various-coloured silk; on the under side, a reticulation filled in with
a pair of birds and a flowering plant alternately. German, late 13th
century. 19 inches by 13 inches.
Public-domain text, read in full here on John Shaqi.
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