Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Piece of Raised Velvet, brocaded in gold; ground, crimson; design, a
cusped oval enclosing a conventional artichoke, and the whole wreathed
with a broad garland, all in gold. Italian, 16th century. 18 inches by
7 inches.
This differs both in design and quality from the former, having no
pile upon pile in it.
1352B.
Piece of Raised Velvet, brocaded in gold; ground, crimson; design, not
very clear: though, from what can be observed, it is the same with No.
1352.
1353.
Web for Orphreys; ground, crimson silk; design, in yellow silk and gold
thread, between two floriated borders, a series of foliated scrolls,
with the open round spaces filled in with the Blessed Virgin holding
our Lord as a naked child in her arms, and a saint-bishop wearing his
mitre and cope, giving his blessing with one hand, and holding his
pastoral staff in the other. Venetian, 16th century. 25 inches by 8¼
inches.
The materials are good, excepting the gold thread, which has turned
black, though the large quantity of rich yellow silk used along with
it somewhat hides its tarnish. In gearing his loom the weaver has made
the mistake of showing the bishop as bestowing his benediction with
his left, instead of his right hand.
1354.
Embroidered Linen; ground, very fine linen; design, separated by a
saltire or St. Andrew’s cross, lozenges filled in with a Greek cross,
and half lozenges, the whole ornamented with circles enclosing other
small crosses. Italian, 16th century. 10¾ inches by 3½ inches.
This elaborate design is as delicately worked as it is beautiful in
pattern.
1355.
Silk Damask; ground, sea-green; design, in the same tint, a
conventional foliation of the pomegranate, surrounding a wide
broad-banded oval filled in with a large fruit of the same kind.
Spanish, early 16th century. 33 inches by 12½ inches.
In the beauty of its design, the rich softness of its silk, and its
grateful tone, this is a pleasing specimen of the loom from the south
of Spain.
1356.
Piece of Raised Velvet; black; design, foliated branches joined at
intervals by royal crowns alternating with vases, and large artichokes
in the intervening spaces. Italian, late 15th century. 25½ inches by
21¾ inches.
This truly beautiful velvet was, no doubt, meant for personal attire.
1357.
Raised Velvet; ground, olive-green silk; design, slips with flowers and
leaves of a somewhat deeper tone, and outlined in a lighter coloured
raised velvet. Lucca, 16th century. 8-⅞ inches by 8¾ inches.
This nicely-wrought stuff of pleasing pattern must have been made for
personal attire.
1358.
Linen Crochet Work; design, saltires, between crosses formed of leaves,
and a modification of the Greek meander. Flemish, 16th century. 21
inches by 7½ inches.
Public-domain text, read in full here on John Shaqi.
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