Piece of Cut-work, for wall-hanging; ground, square of blue and red, with the upper border blue, the side one red; design, at top, knights and ladies talking, and each within a separate arch; in the body of the piece, the history of some dragon-slayer, figured in two horizontal rows of compartments, every one of which is contained within an archway with a head composed of three trefoil arches in a straight line, and resting on trefoil-brackets, and having, all through, birds and flowers in the spandrils. French, late 14th century. 7 feet 11 inches by 3 feet 4 inches. Though now so rough and tattered this almost unique piece of “cut-work” (which French people would call appliqué, but better described by the English words), of so large a size, is valuable for its use in showing how, with cheap materials and a little knowledge of drawing, a very pleasing, not to say useful, article of decoration may be made, either for church appliance or household furniture. Unfortunately the heads of the personages in the upper row are all cut away, but lower down we plainly see the history meant to be represented. Upon the first pane, to the left, we have a regal throne, upon which are sitting, evidently in earnest talk, a king, crowned and sceptred, and a knight, each belted with a splendid military girdle falling low down around the hips. Behind the knight stands his ’squire. In the next pane the enthroned king is giving his orders to the standing knight, toward whom his ’squire is bringing his sword, his shield, (_argent_ a fess _azure_, surmounted by a demi-ox _azure_,) and a bascinet mantled and crested with the head of the same demi-ox or aurochs and its tall horns. After this we behold the knight with lance and shield, and his ’squire on horseback riding forth from the castle, at the gate of which stands the king, outstretching his hand and bidding farewell to the knight, who is turning about to acknowledge the good-bye. Going first upon the road, the knight, followed by the ’squire, seems asking the way to the dragon’s lair, from a gentleman whom they meet. The monster is then found in a wood, and the knight is tilting his spear into its fire-red maw. The next pane carrying on the romance is the first to the left in the second or lower series. Here the knight is unhorsed, and his good grey steed is lying on the field; but the knight himself, wielding his sword in both hands, is about to smite the dragon breathing long flames of fire towards him. Afterwards he catches hold of his fiery tongue, and is cutting it off. It would look as if the dragon, though wounded to the loss of its tongue, had not been worsted; for in the following compartment we behold the same knight all unarmed, but well mounted, galloping forth from a castle gate with a hound and some sort of bird, both with strings to them, by his horse’s side, and having found the dragon again, appears holding an argument with the beast that, for