Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
The manufacture of this stuff is rather remarkable, not so much for
that satin look, produced by flos-silk, in some parts of its design
of flower-bearing branches, as by the way in which portions of it are
thrown up in little seed-pearls.
4216.
Piece of Needlework figured with a female saint at her prayers before a
picture of our Saviour, and a crowd of men standing behind her near a
belfry, in which are swinging two bells. Italian, early 15th century. 1
foot 4½ inches by 11½ inches.
By the costume this work would seem to have been done in Tuscany, and
it shows the bed-room of some saintly noble dame, wimpled and clad in
a crimson mantle embroidered with gold. At the foot of her bed there
is, wrought and diapered in gold, a praying desk on which lies open a
book in silver having a large M in red marked on its first page; above
is a picture of our Redeemer, known by His crossed glory, in the act
of giving His blessing, before whom the saint is praying. At her knees
are two green snakes, and above her two angels are carrying her soul,
under her human form, up to heaven. Behind her, and close to a belfry,
where the bells are swinging and the ropes of which are hanging
down, is a group of men, one a tonsured cleric, seemingly, from his
dalmatic, a deacon, with both hands upraised in surprise; near him
other clerics tonsured, two of whom are reading with amazement out
of a book held by a noble layman. This work contains allusions to
several events in the life of St. Frances, widow, known in Italy, as
Santa Francesca Romana; but a very remarkable one is here especially
sketched forth. She is said to have often beheld the presence of her
guardian angel, clothed as a deacon, watching over her. Such was the
obedience and condescension yielded by her to her husband that, though
wrapped in prayer, or busied in any spiritual exercise, if called
by him or anywise needed by the lowliest servant in her family, she
hastened to obey at the moment. It is told of her, that one day, being
asked for as many as four times in succession, just as she was, each
time, beginning the same verse again, of a psalm in the Office of the
Blessed Virgin, on coming back for the fifth time she found that verse
written all in gold. Here then we have the loving husband showing this
prayer-book, with its golden letters, to a crowd of friends, among
whom is his wife’s angel hidden under a deacon’s dalmatic; while the
saint herself is at her devotions, foreseeing in vision the evils that
are to befall Italy, through civil strife, shown by those serpents and
the swinging bells betokening alarm and fright.
4456.
Table-cover; ground, coarse canvas; design, armorial bearings,
symbolical subjects, fruits, and animals, besides five long
inscriptions in German, dated A.D. 1585. German. 6 feet by 6 feet 6
inches.
Public-domain text, read in full here on John Shaqi.
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