Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
The whole of this large undertaking was worked by some well-born
German mother as an heirloom to her offspring. At the right hand
corner, done upon a separate piece of finer canvas and afterwards
applied to the ground, is a shield of arms, _sable_, three lions
rampant _or_ armed and langued _gules_ two and one between a fess
_argent_; at another corner, but worked upon the canvas ground
itself, a shield, _gules_ three bars dancetté _argent_; upon a third
shield, _argent_, a fess dancetté _sable_; on the last corner
shield, quarterly _or_ and _gules_, a fess _argent_; upon a smaller
shield in the middle of the border, _sable_ a pair of wings expanded
_argent_; on the border opposite, party per fess _sable_ and _or_,
two crescents _argent_; in the centre of the next border, _gules_ two
bars (perhaps) _sable_ charged, the upper one with three, the lower
with one, bezants or plates; and last of all, upon the other border,
_or_, a lion rampant, _gules_ with chief vair, _sable_, and _or_.
Repeated at various places are a vase surmounted by a cross with two
birds, half-serpent, half-dove, sipping out of the vessel; and below
this group another, consisting of two stags well “attired,” each with
one hoof upon the brim of a fountain out of which they are about to
drink. This latter symbol is evidently a reference to the Psalmist’s
hart that panteth after the fountains of water, while the former one
is a representation of the union of the serpent’s wisdom with the
simplicity of the dove. In many ancient monuments the upper half of
the bird is that of a dove, the lower ends in a snake-like shape
with an eye shown at the extremity of the tail. There are five long
rhythmical inscriptions on this cloth, in German, one at every corner,
and the longest of all in the middle; considering the period at which
they were written, these doggerel verses are very poor, and run nearly
as follows:--
“ALS . MAN . ZALT . FUNFZEHN . HUNDERT . JAHR.
DARZU . NOCH . ACHTZIG . UND . FUNF . ZWAR.
HAT . DER . EDEL . UND . VEST . HEINRICH.
VON . GEISPITZHEIM . DIE . TUGENTREICH.
ANNA . BLICKIN . ZUM . GMAL . ERKORN.
WELCHE . VON . LIGTENBERG . GEBORN.
BEID . ALTES . ADELICHS . GESCHLECHT.
ZUSAMMEN . SICH . VERMEHLT . RECHT.
DAMIT . NUHN . IN . IHREM . EHESTANDT.
VLEISIG . HAUSHALTUNG . WURDT . ERKANDT.
HAT . SIE . IHREM . TUNCKERN . ZU . EHRN.
DEN . HAUSRAHT . WOLLEN . ZIRN . UND . MEHRN.
DARUMB . MIT . IHRER . EIGNEN . HANDT.
DIES . UND . NOCH . VIEL . ZIERLICHS . GEWANDT.
ZU . IHRER . GEDACHTNIS . GEMACHT.
MIT . BEIDER . NECHSTEN . ANGHEN . ACHT.
MIT . GOTT . IHRH . TUNCKERN . D . KINDER . ZART.
AUCH . SIE . ERHALTE . BEI . WOHLFAHRTH.
DARNEBEN . VERLEIHEN . GEDULT.
DAS . WIR . BEZAHLN . DER . NATUR . SCHULT.
NACH . VOLLPRACHTEM . LANGEN . LEBEN.
UNS . ALLEN . DIE . EWIG . FREUD . GEBEN.
AMEN.
OBGMELTER . HEINRICH . DICHTET . MICH.
Public-domain text, read in full here on John Shaqi.
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