This fine textile was, in all likelihood, woven by Christian hands somewhere upon the Syrian coast, and while a religious character was given it both by the crosses and the emblematic parrots, a Persian influence by the use of the olden traditionary tree between the parrots, or the Persians’ sacred “hom,” was allowed to remain upon the designer’s mind without his own knowledge of its being there, or of its symbolic meaning in reference to Persia’s ancient heathen worship. 7095. Blue Linen, wrought with gilt thin parchment; pattern, an oval, filled in with another oval, surrounded by six-petaled flowers, all in outline; this piece is put upon another of a different design, of which the pattern is an eagle on the wing. Spanish, 14th century. 7½ inches by 4-⅝ inches. This is another specimen of gilt parchment being used instead of gold thread. 7099. Foot-cloth; ground, green worsted; pattern, birds and flowers. German, 16th century. 4 feet 7 inches by 2 feet 7 inches. In all likelihood, this piece of needlework served the purpose of a rug or foot-cloth, or, may be, as the cloth covering for the seat of a carriage. It is worked in thick worsted upon a wide-meshed thread net, and after a somewhat stiff design. 7218. Table-cover, in green silk, with wide border of Italian point lace. Venetian, late 16th century. 5 feet 6 inches by 3 feet 2 inches. The pattern of the lace is very bold and well executed, and consists of a large foliage-scroll of the classic type, ending in a lion’s head, so cherished by the Venetians, as the emblem of the Republic’s patron-saint, St. Mark. The poor thin silk is not worthy of its fine trimming. 7219. Table-cover, in light blue silk, with wide border of Italian point lace. Venetian, late 16th century. 6 feet 5 inches by 4 feet. The pattern of the lace, like the foregoing specimen, is after a classic form, consisting of two horns of plenty amid foliage and scroll-work; in both pieces we see the effect of that school which brought forth a Palladio. 7468. A Lectern Veil of silk and gold cut-work; ground, crimson silk; design, of cut-work in cloth of gold and white and blue silk, ramifications ending in bunches of white grapes, horns of plenty holding fruit, and ears of wheat. French, 17th century. 9 feet by 1 foot 9¾ inches. Such veils are thrown over a light moveable stand upon which the book of the Gospels and Epistles is put at high mass, for the deacon’s use as he sings the Gospel of the day. The cut-work is well-designed, and sewed on with an edging of blue cord in some places, of yellow in others. The cloth of gold was so poor that now it looks at a short distance like mere yellow silk. 7674.