Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Silk Damask; ground, blue; pattern, diaper of stalks, bearing a broad
foliation in whitish blue, and lions, and birds like hoopoes, all
in gold, between horizontal bands inscribed with imitated Saracenic
letters. Sicilian, 14th century, 10¾ inches square.
A beautiful design; and in the bands, at each end of the imitated
word in Saracenic characters, are those knots that are found on
Italian textiles. So poor was the gold on the thread, that it is sadly
tarnished.
8128.
Apparels to an Alb; figured with the birth of the B. V. Mary, in the
upper one; and in the lower, the birth of our Lord; with two armorial
shields alternating between the spandrils of the canopies. English
needlework, on crimson velvet, and in coloured silks and gold thread,
done in the latter half of the 14th century. Each piece 2 feet 8½
inches by 10½ inches. Presented by Ralf Oakden, Esq.
In many respects these two apparels, seemingly for the lower
adornment of the liturgical alb, one before, the other behind, are
very valuable; besides the subjects they represent, they afford
illustrations of the style of needlework, architecture, costume, and
heraldry of their time.
In the upper apparel, we have the birth and childhood of the mother
of our Lord, as it is found in one of the apocryphal books of the New
Testament, entitled,--“Evangelium de Nativitate S. Mariae,” which the
Latins got from the Greeks, as early, it would seem, as the second
or third age of the Church. Though of no authority, this book was
in especial favour with our countrymen, and it was not unfrequently
noticed in their writings; hence, no doubt, the upper apparel was
suggested by that pseudo-gospel. In its first compartment, we behold
a middle-aged lady, richly clad, having a mantle of gold, lined with
vair or costly fur, about her shoulders, seated on a cushioned stool
with a lectern, or reading-desk before her, and upon it an open book
of the Psalms, with the beginning of the fiftieth written on its
silver pages,--“Miserere mei, Deus,” &c., and outstretching her hands
towards an angel coming down from the clouds, and as he hails her with
one hand, holds, unrolled, before her eyes, a scroll bearing these
words:--“Occurre viro ad portam.” This female is Ann, wife of Joachim,
and mother of Mary; and the whole is thus set forth in the Codex
Apocryphus Novi Testamenti; where the angel, who appeared to her while
she was at prayer, is said to have spoken these words:--“Ne timeas,
Anna, neque phantasma esse putes.... Itaque surge, ascende Hierusalem,
et cum perveneris ad portam quæ aurea, pro eo quod deaurata est,
vocatur, ibi pro signo virum tuum obvium habebis,” &c.--_Evangelium de
Nativitate S. Mariae_, c. iv. in COD. APOCRY. ed. Thilo, pp. 324, 325.
This passage is thus rendered in that rare old English black-letter
book of sermons called “The Festival,” which was so often printed by
Caxton, Wynkyn de Worde, and other early printers in London:--“Anne
Public-domain text, read in full here on John Shaqi.
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