Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
was sory and prayed to God and sayde, Lorde, that me is woo. I am
bareyne, and I may have noo frute ... and I knowe not whyther he
(Joachim my husband) is gone. Lorde have mercy on me. Whene as she
prayed thus an angell come downe and comforted her, and sayd: Anne,
be of gode comfort, for thou shalt have a childe in thyne olde age,
there was never none lyke, ne never shall be ... and whan he (Joachim)
come nye home, the angell come to Anne, and bade her goo to the gate
that was called the golden gate, and abide her husbonde there tyll he
come. Thene was she glad ... and went to the gate and there she mete
with Joachim, and sayd, Lord, I thanke thee, for I was a wedow and now
I am a wyfe, I was bareyne and now I shall bear a childe ... and whan
she (the child) was borne, she was called Mary.”--_The Festival_, fol.
lxvi. In the second compartment we have a further illustration of the
foregoing text in the representation of the golden gate at Jerusalem,
and Anna and Joachim greeting one another as they meet there. In the
third, there is the lying-in of Anna, who from her own bed is swathing
her new-born child, whom the Almighty’s right hand coming from heaven
is blessing. In the fourth is Anna bringing her little girl Mary,
when three years old, as an offering to God, in the temple, before
the High Priest. In the fifth and last compartment of this upper row
of niches, we see Anna teaching her daughter, the B. V. Mary, to read
the Psalter. In the first compartment in the lower apparel, or on the
second row, the angel Gabriel, winged and barefoot, is represented
standing before the B. V. Mary, whom with his right he is blessing,
while in his left he holds out before her a scroll on which are the
words:--“Ave Maria gracia.” She outstretches her hands, and gently
bending her head forwards, seems to bow assent; between them is the
lily-pot, and, as it should, holds but one flower-stem, with three,
and only three, full-blown lilies (“Church of our Fathers,” t. iii.
p. 247); above, is the Holy Ghost, figured as a white dove, coming
down upon the Virgin. To this follows St. Elizabeth’s visit to the B.
V. Mary, or the Salutation, as it is often called in this country.
Then we have the Nativity, after the usual manner, with the ox and
ass worshipping at the crib wherein our Lord is lying in swaddling
clothes; and St. Joseph is figured wearing gloves. Filling the next
niche, we behold the angel coming from the skies, with a scroll in his
hands inscribed,--“Gloria in excelsis Deo,” to the shepherds, one of
whom is playing on a bag-pipe with one hand, as with the other he is
ringing a bell, which draws the attention of his dog that sits before
him with upturned head and gaping mouth. In the last compartment
we have the three wise men, clothed and crowned as kings, going to
Bethlehem with their gifts, but none of them is a negro. Of the two
shields hung alternately between every spandril, one is,--barry of ten
Public-domain text, read in full here on John Shaqi.
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