Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Piece of Silk and Gold Tissue; ground, green; the pattern in gold seems
to have been divided by bars, and consists of an interlaced knot, on
which rest birds. Southern Spanish, early 14th century. 8½ inches by
4¼ inches.
The knots in this piece are somewhat like our own Bouchier one; but
the four ends of the English badge are not shown in this Andalusian
ornament, perhaps meant to be really an heraldic charge peculiar to
Spanish blazon.
8273.
Piece of Silk; ground, lilac-purple; pattern, yellow, diapered with
crescents, within the horns of which are two very small wyverns
addorsed. Sicilian, late 13th century. 7½ inches by 4½ inches.
The design is so indistinct that it requires time to unpuzzle it.
8274.
Portion of an Orphrey, embroidered on parchment with glass, coral,
gold beads, and seed pearls, having also small bosses and ornaments in
silver-gilt. The ground is dark blue, on which is figured the B. V.
Mary nimbed and crowned within an oblong aureole terminated by scrolls
ending in trefoils and cinquefoils. Venetian, late 12th century.
That this curious and elaborate piece of bead embroidery must have
been part of an orphrey for a chasuble, and not a maniple, is evident
from the pointed shape in which it ends. From its style, and the
quantity of very small beads and bugles which we see upon it, it
would seem to have been wrought either at Venice itself, in some of
its mainland dependencies, or in Lower Styria. Then, as now, the
Venetian island of Murano wrought and carried on a large trade in
beads of all kinds; and the silversmith’s craft was in high repute
at Venice. Finding, then, this remnant of a liturgical vestment so
plentifully adorned with beads, bugles, and coral, besides being so
dotted with little specks of gold, and sprinkled with so many small
but nicely worked silver-gilt stars, we are warranted in taking this
embroidery to have been wrought somewhere in North East Italy or
South West Germany, upon the borders of the Adriatic. Those fond of
ecclesiastical symbolism will look upon this old piece of needlework
with no small interest, and observe that it was by intention that
the ground was blue. It is figured in Dr. Bock’s “Geschichte der
Liturgischen Gewänder Mittelalters,” 1 Band, 2 Lieferung, pt. x. s.
275.
8275.
Piece of Linen Tissue, with pattern woven in gold; the design consists
of bands curving to a somewhat lozenge form and inclosing an ornament
composed of intersecting circles with a three-pointed or petaled kind
of conventional flower (not a fleur-de-lis) radiating from the centre.
Sicilian, 14th century. 5 inches by 4½ inches.
8276.
Piece of Silk; ground, pinkish purple; pattern in dark blue, or rather
green, divided by four-sided compartments and formed of conventional
flowers and salamanders, the borders of a running design. Sicilian,
14th century. 10½ inches by 6 inches.
Public-domain text, read in full here on John Shaqi.
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