Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Most likely woven at Palermo, but no good sample of dyeing, as the
colours have evidently changed; what is now a pinkish purple hue was
of a light cheerful crimson tone, and the dark blue pattern must have
originally been a warm green.
8277.
Piece of Crimson Silk and Gold Tissue; the pattern, in gold, of
conventional ornaments and circles containing birds and animals; the
border consists of a repetition of a wyvern, an eagle displayed, and an
elephant and castle. Italian, early 14th century. 11 inches by 4 inches.
This fine costly specimen of old silken stuff cannot fail in drawing
to itself a particular attention from the heedful observer, by its
gracefully elaborate design, so well carried out and done in such rich
materials, but more especially by the symbols figured on it.
Though now unable to read or understand the meaning of all those
emblematic hints so indistinctly uttered in its curious border, made
up, as it is, of a wyvern, a stork embowed and statant on an elephant
and castle, and a displayed eagle, we hopefully think that, at no
far-off day, the key to it all will be found; then, perhaps, the piece
before us, and many other such textiles in this very collection, may
turn out to be no little help to some future writer while unravelling
several entanglements in mediæval history.
Not for a single moment can we admit that through these heraldic
beasts and birds the slightest reference was intended to be made to
the four elements; heaven or the air, earth or its productions, fire
and water, were quite otherwise symbolized by artists during the
middle ages, as we may see in the nielli on a super-altar described
and figured in the “Church of Our Fathers,” t. i. p. 257.
8278.
A SINDON or kind of Frontal, of Crimson Silk, on a linen or canvas
lining, embroidered in silk and silver thread, with a large figure of
our Lord dead, two standing angels, and, at each of its four corners,
a half-length figure of an evangelist; the whole enclosed in a border
inscribed with Sclavonic characters. Ruthenic work, middle of 17th
century. 4 feet 6½ inches by 2 feet 10 inches.
Public-domain text, read in full here on John Shaqi.
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