Till within a few years the royal manufactory at Sta. Leucia, near Naples, produced silks of remarkable richness; and the piece, likely from that city itself, No. 721, p. 13, does credit to its loom, as it wove in the seventeenth century. Northern Italy was not idle; and the looms which she set up in several of her great cities, in Lucca, Florence, Genoa, Venice and Milan, earned apart for themselves a good repute in some particulars, and a wide trade for their gold and silver tissues, their velvets, and their figured silken textiles. Yet, like as each of these free states had its own accent and provincialisms in speech, so too had it a something often thrown into its designs and style of drawing which told of the place and province whence the textiles came. _Lucca_ at an early period made herself known in Europe for her textiles; but her draughtsmen, like those of Sicily, seem to have thought themselves bound to follow the style hitherto in use, brought by the Saracens, of figuring parrots and peacocks, gazelles, and even cheetahs, as we behold in the specimens here No. 8258, p. 163, and No. 8616, p. 234. But, at the same time, along with these eastern animals, she mixed up emblems of her own, such as angels clothed in white, like in the example the last mentioned. She soon dropped what was oriental from her patterns, which she began to draw in a larger, bolder manner, as we observe, under No. 8637, p. 243, No. 8640, p. 244, and showing an inclination for light blue, as a colour.