Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
old as Phrygia. Hence then we think that--
[283] Pp. 322, 323.
[284] De Re Rustica, lii. cap. xi.
_Cloth of Tarsus_, _of Tars_, &c., was woven of fine goats’ hair and
silk. But this web was in several colours, and always looked upon as
very costly.
The _Tarsus colour_ itself was, as we take it, some shade of purple
differing from, and perhaps to some eyes more beautiful than, the
Tyrian dye. The people of Tarsus no doubt got from their murex, a
shell-fish of the class mollusca and purpurifera family to be found on
their coast, their dyeing matter; and when it is borne in mind what
changes are wrought in the animal itself by the food it eats, and
what strong effects are made by slight variations in climate, even
atmosphere, upon materials for colouring in the moments of application,
we may easily understand how the difference arose between the two tints
of purple.
We are strengthened in our conjecture that not only was the cloth of
Tarsus of a rare and costly kind, but its tint some shade of royal
purple, from the fact that while noticing the robes worn on a grand
public occasion by a king, Chaucer thus sketches the prince:--
The gret Emetrius, the king of Inde,
Upon a stede bay, trapped in stele,
Covered with cloth of gold diapred wele,
Came riding like the god of armes Mars.
His cote armure was of a cloth of Tars,
Couched with perles, &c.[285]
[285] Knightes Tale, Poems, ed. Nicolas, ii. 64-5.
_Sky-blue_ was a liturgical colour everywhere in use for certain
festivals throughout England, as we have shown in another place.[286]
In the early inventories the name for that tint is “Indicus,” “Indus,”
reminding us of our present _indigo_. In later lists it is called
“Blodius,” not sanguinary, but blue.
[286] Church of our Fathers, t. ii. p. 259.
_Murrey_, or a reddish brown, is often specified; and a good specimen
of the tint is given us, No. 709, p. 9. Old St. Paul’s, London, had
several pieces of baudekin of this colour: “baudekynus murretus cum
griffonibus datus pro anima. Alphonsi filii regis E.”[287]
Public-domain text, read in full here on John Shaqi.
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