Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
_Shot_, or, as they were then called, _changeable_ silks, were
fashionable in England during the sixteenth century, for when the
King’s (Edward VI.) Lord of Misrule rode forth with great pageantry,
among other personages there came “afor xx. of ys consell on horsbake
in gownes of chanabulle lynyd with blue taffata and capes of the sam,
like sage (men); then cam my lord with a gowne of gold furyd,” &c.[290]
At York Cathedral, A.D. 1543, there was “a vestment of changeable
silke,”[291] “besides one of changeable taffety for Good Friday.”[292]
[290] Diary of Henry Machyn, ed. Nichols for the Camden Society, p. 13.
[291] Fabric Rolls, p. 301.
[292] Ibid. p. 311.
_Marble_ silk had a weft of several colours so put together and woven
as to make the whole web look like marble, stained with a variety of
tints; hence it got its name. In the year 1295 St. Paul’s had “paruram
de serico marmoreo”[293]--an apparel of marble silk; “tunica de quodam
panno marmoreo spisso”[7]--a tunicle of a certain thick marble cloth;
“tunica de diaspro marmoreo spisso”[294]--a tunicle of thick diaper
marble; “casula marmorei coloris”[295]--a chasuble of marble colour.
During full three centuries this marble silk found great favour among
us since H. Machyn, in his very valuable and curious Diary tells his
readers how “the old Qwyne of Schottes rod thrught London,” and how
“then cam the Lord Tresorer with a C. gret horsse and ther cotes of
marbull,”[9] &c., to meet her the 6th of November, A.D. 1551.[296]
[293] Ibid. p. 320.
[294] Ibid. p. 322.
[295] Ibid. p. 323.
[296] Pp. 11, 12.
SECTION II.--EMBROIDERY.
The art of working with the needle flowers, fruits, human and animal
forms, or any fanciful design, upon webs woven of silk, linen, cotton,
wool, hemp, besides other kinds of stuff, is so old that it reaches far
into the prehistoric ages.
Those patterns, after so many fashions, which we see figured upon the
garments worn by men and women in Egyptian and Assyrian monuments, but
especially on the burned-clay vases made and painted by the Greeks
during their most archaic as well as later times, or we read about in
the writings of that people, were not wrought in the loom, but done by
the needle.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account