Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Our mediæval countrywomen were so quick at the needle that they could
make their embroidery look as if it had been done in the loom--really
woven. Not long ago, a shred of crimson cendal, figured in gold and
silver thread with a knight on horseback, armed as of the latter time
of Edward I., was shown us. At the moment we took the mounted warrior
to have been, not hand-worked, but woven, so flat, so even was every
thread. Looking at it however through a glass and turning it about, we
found it to have been unmistakably embroidered by the finger in such a
way that the stitches for laying down upon the surface, and not drawing
through the gold threads and thus saving expense, were carried right
into the canvas lining at the back of this thin silk. After this same
manner was really done, to our thinking, all the design, both before
and behind upon that fine English-wrought chasuble, No. 673, p. 5.
At the latter end of the thirteenth century our women struck out for
themselves a new way of embroidery. Without leaving aside the old and
usual “opus plumarium,” or feather-stitch, they mixed it with a new
style, both of needlework and mechanism. So beautiful and telling was
the novel method deemed abroad, that it won for itself from admiring
Christendom the complimentary appellation of “opus Anglicum,” or
English work. In what its peculiarity consisted has long been a
question and a puzzle among foreign archæological writers; and a living
one of eminence, the Canon Voisin, vicar general to the bishop of
Tournai, while noticing a cope of English work given to that church,
says:--“Il serait curieux de savoir quelle broderie ou quel tissu on
designait sous le nom de _opus Anglicum_.”[321]
[320] Reginaldi Dunelmensis Libellus, &c. Ed. Surtees Society, p. 152.
[321] Notice sur les Anciennes Tapisseries de la Cathedral de Tournai,
p. 16.
But the reader may ask what is
THE OPUS ANGLICUM, OR ENGLISH WORK,
about which one heard so much of old?
Happily, we have before us in the present collection, as well as
elsewhere in this country, the means of helping our continental friends
with an answer to their question.
Public-domain text, read in full here on John Shaqi.
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