English language -- Dialects -- England -- Lancashire -- Texts; Lancashire (England) -- Fiction; Short stories
"Well, but, Nanny," said Skedlock, laying his hand on the old woman's
shoulder, "yo known what a hard job it is to keep th' bant i'th nick wi'
a rook o' musicianers. They cap'n the world for bein' diversome, an'
jealous, an' bad to plez. Well, as I wur sayin'--they'n had a deeal o'
trouble about music this year or two back, up at th' owd chapel. Th'
singers fell out wi' th' players. They mostly dun do. An' th' players
did everything they could to plague th' singers. They're so like. But
yo' may have a like aim, Nanny, what mak' o' harmony they'd get out o'
sich wark as that. An' then, when Joss o' Piper's geet his wage
raise't--five shillin' a year--Dick o' Liddy's said he'd ha' moor too,
or else he'd sing no moor at that shop. He're noan beawn to be snape't
wi' a tootlin' whipper-snapper like Joss,--a bit of a bow-legged whelp,
twenty year yunger nor his-sel. Then there wur a crack coom i' Billy
Tootle bassoon; an' Billy stuck to't that some o'th lot had done it for
spite. An' there were sich fratchin an' cabals among 'em as never wur
known. An' they natter't, and brawl't, an' back-bote; and played one
another o' maks o' ill-contrive't tricks. Well, yo' may guess, Nanny--
"One Sunday mornin', just afore th' sarvice began, some o' th' singers
slipt a hawp'oth o' grey peighs an' two young rattons into old Thwittler
double-bass; an' as soon as he began a-playin', th' little things
squeak't an' scutter't about terribly i' th' inside, till thrut o' out
o' tune. Th' singers couldn't get forrud for laughin'. One on 'em
whisper't to Thwittler, an' axed him if his fiddle had getten th'
bally-warche. But Thwittler never spoke a word. His senses wur leavin'
him very fast. At last, he geet so freeten't, that he chuck't th' fiddle
down, an' darted out o'th chapel, beawt hat; an' off he ran whoam, in a
cowd sweet, wi' his yure stickin' up like a cushion-full o'
stockin'-needles. An' he bowted straight through th' heawse, an' reel
up-stairs to bed, wi' his clooas on, beawt sayin' a word to chick or
chighlt. His wife watched him run through th' heawse; but he darted
forrud, an' took no notice o' nobody. 'What's up now,' thought Betty;
an' hoo ran after him. When hoo geet up-stairs th' owd lad had retten
croppen into bed; an' he wur ill'd up, e'er th' yed. So Betty turned th'
quilt deawn, an' hoo said. 'Whatever's to do witho, James?' 'Howd te
noise!' said Thwittler, pooin' th' clooas o'er his yed again, 'howd te
noise! I'll play no moor at yon shop!' an' th' bed fair wackert again;
he 're i' sich a fluster. 'Mun I make tho a saup o' gruel?' said Betty.
'Gruel be ----!' said Thwittler, poppin' his yed out o' th' blankets.
'Didto ever yer ov onybody layin' the devil wi' meighl-porritch?' An'
then he poo'd th' blanket o'er his yed again. 'Where's thi fiddle?'
said Betty. But, as soon as Thwittler yerd th' fiddle name't, he gav a
sort of wild skrike, an' crope lower down into bed."
Public-domain text, read in full here on John Shaqi.
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