The girl was quite right when she had said, as she so often did to
Thérèse, then a sceptical, and mocking schoolgirl: “You can’t think
how relieved you feel when you have confessed and been forgiven,--when
you can begin all over again with a clean slate.” Indeed, the moment
Thérèse had made up her mind to tell the whole story she did feel a
sort of delicious relief. She would tell Bernard everything: she would
say....
Yes, but what should she say? How should she begin? Could any words
express that confused succession of desires, resolves, and impulses?
“How do people behave,” she thought, “when they acknowledge their
crimes? I don’t acknowledge mine: I didn’t want to commit it. I don’t
know what I did want. I never knew the meaning of that dreadful force
within me, and yet outside me: and I was myself horrified at all the
destruction it left behind.”
A smoky oil lamp lit up the plaster walls of the Nizan station and
a carriage outside it: and all about them gathered the encompassing
darkness. A train standing in the station whistled and hooted dismally.
Gardère took Thérèse’s bag and again stared at her greedily. His wife
must have told him to watch carefully how she was looking and behaving.
For the benefit of Monsieur Larroque’s coachman Thérèse instinctively
assumed that smile that made people say: “Never mind whether she is
pretty or plain, you cannot resist her charm.” She asked him to take
her ticket, because she did not like to cross the waiting-room, where
two farmers’ wives were sitting with baskets on their knees swaying to
the rhythm of their knitting-needles.
When he brought back the ticket she told him to keep the change. He
touched his cap, and then, gathering up the reins, he turned to have a
last, long look at his master’s daughter.
Public-domain text, read in full here on John Shaqi.
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