American fiction -- 19th century; United States -- History -- Revolution, 1775-1783 -- Fiction
But I fancy it was around the isolated "Ford Mansion," better known as
the "headquarters," that the wind wreaked its grotesque rage. It howled
under its scant eaves, it sang under its bleak porch, it tweaked the
peak of its front gable, it whistled through every chink and cranny of
its square, solid, unpicturesque structure. Situated on a hillside that
descended rapidly to the Whippany River, every summer zephyr that
whispered through the porches of the Morristown farm-houses charged as
a stiff breeze upon the swinging half doors and windows of the "Ford
Mansion"; every wintry wind became a gale that threatened its security.
The sentry who paced before its front porch knew from experience when
to linger under its lee, and adjust his threadbare outer coat to the
bitter north wind.
Within the house something of this cheerlessness prevailed. It had an
ascetic gloom, which the scant firelight of the reception-room, and the
dying embers on the dining-room hearth, failed to dissipate. The
central hall was broad, and furnished plainly with a few rush-bottomed
chairs, on one of which half dozed a black body-servant of the
commander-in-chief. Two officers in the dining-room, drawn close by
the chimney-corner, chatted in undertones, as if mindful that the door
of the drawing-room was open, and their voices might break in upon its
sacred privacy. The swinging light in the hall partly illuminated it,
or rather glanced gloomily from the black polished furniture, the
lustreless chairs, the quaint cabinet, the silent spinet, the
skeleton-legged centre-table, and finally upon the motionless figure of
a man seated by the fire.
It was a figure since so well known to the civilized world, since so
celebrated in print and painting, as to need no description here. Its
rare combination of gentle dignity with profound force, of a set
resoluteness of purpose with a philosophical patience, have been so
frequently delivered to a people not particularly remarkable for these
qualities, that I fear it has too often provoked a spirit of playful
aggression, in which the deeper underlying meaning was forgotten. So
let me add that in manner, physical equipoise, and even in the mere
details of dress, this figure indicated a certain aristocratic
exclusiveness. It was the presentment of a king,--a king who by the
irony of circumstances was just then waging war against all kingship; a
ruler of men, who just then was fighting for the right of these men to
govern themselves, but whom by his own inherent right he dominated.
From the crown of his powdered head to the silver buckle of his shoe he
was so royal that it was not strange that his brother George of England
and Hanover--ruling by accident, otherwise impiously known as the
"grace of God"--could find no better way of resisting his power than by
calling him "Mr. Washington."
Public-domain text, read in full here on John Shaqi.
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