Eurasians -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
On the southern coast of France, upon ground overlooking one of the
beautiful bays of the Mediterranean, stood a chateau. It was nearly a
mile distant from the coast, the land gradually descending toward the
blue waters of the sea. The main and center part of the building was a
relic of the ancient feudal times when strength and massiveness were
characteristic of the architecture. The additions had been constructed
from time to time, to suit the taste and convenience of the different
owners of the property. The old park impressed one with a feeling of
reverence for its solidity and quaintness, while the more modern parts
added beauty and grace, making the whole consonant with the present age
in comfort, luxury and utility. The grounds were spacious. An immense
enclosure with its velvet green verdure, was broken here and there by
patriarchal trees, of great variety. It was a park of orchards and
gardens for use as well as beauty. A broad avenue, lined on either side
with trees and trellised vines, led down to the sea where pleasure boats
and yachts were moored. This avenue, with the blue waters as a
background, formed a most enchanting view from the upper balcony of the
castle. The quiet stillness of the place was its greatest charm. In the
days of summer there was scarcely a sound to be heard save that of the
bees and insects among the flowers, the songs of the birds in the trees,
the gentle murmur of the fountains or the sound like that from invisible
æolian harps, as the light breezes played among the branches.
Occasionally a storm from the loud resounding sea added grandeur to the
place. The drives, the walks, every tree and flowering shrub showed the
careful attention of the gardeners. Every visitor was in raptures over
the beauty of the place, and could say with truth, “If there is a
paradise on earth it is here.”
The interior of the chateau corresponded with its surroundings. The
halls were adorned with solid, grand antique furniture, statuary, and
paintings, the accumulation of centuries, acquired by the wealth and
taste of a long line of the ancestry of the present occupants, while the
rest of the building was embellished in more modern style, showing
excellent judgment and culture. The library was one of which a nation
might be proud, composed of almost priceless old books, and the best of
more modern authors. In all the apartments there seemed to be nothing
wanting and not a thing too much. There was no crowding or confusion,
nothing cheap or tawdry, but all in harmony with the massive building,
and its noble park, showing the culture of its possessors.
Public-domain text, read in full here on John Shaqi.
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