It attracted great attention, both on account of the circumstances that
preceded it and the events which speedily followed, and threw a light
upon it that gave it a spectacular importance. The city journals made
a feature of it. They summoned their best artists to illustrate it,
and illuminate it in pen-and-ink, half-tones, startling colors, and
photographic reproductions, sketches theatrical, humorous, and poetic,
caricatures, pictures of tropical luxury and aristocratic pretension; in
short, all the bewildering affluence of modern art which is brought to
bear upon the aesthetic cultivation of the lowest popular taste. They
summoned their best novelists to throw themselves recklessly upon the
English language, and extort from it its highest expression in color
and lyrical beauty, the novelists whose mission it is, in the newspaper
campaign against realism, to adorn and dramatize the commonest events
of life, creating in place of the old-fashioned “news” the highly spiced
“story,” which is the ideal aspiration of the reporter.
Whatever may be said about the power of the press, it is undeniable
that it can set the entire public thinking and talking about any topic,
however insignificant in itself, that it may elect to make the sensation
of the day--a wedding, a murder, a political scandal, a divorce, a
social event, a defalcation, a lost child, an unidentified victim
of accident or crime, an election, or--that undefined quickener of
patriotism called a casus belli. It can impose any topic it pleases upon
the public mind. In case there is no topic, it is necessary to make one,
for it is an indefeasible right of the public to have news.
These reports of the Mavick ball had a peculiar interest for at least
two people in New York. Murad Ault read them with a sardonic smile and
an enjoyment that would not have been called altruistic. Philip searched
them with the feverish eagerness of a maiden who scans the report of a
battle in which her lover has been engaged.
All summer long he had lived upon stray bits of news in the society
columns of the newspapers. To see Evelyn's name mentioned, and only
rarely, as a guest at some entertainment, and often in connection with
that of Lord Montague, did not convey much information, nor was that
little encouraging. Was she well? Was she absorbed in the life of the
season? Did she think of him in surroundings so brilliant? Was she,
perhaps, unhappy and persecuted? No tidings came that could tell him the
things that he ached to know.
Public-domain text, read in full here on John Shaqi.
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