That House I Bought: A little leaf from lifeWarner, Henry Edward
General
That House I Bought: A little leaf from life
Warner, Henry Edward
Home
But there was one button that got me. It was in the front bedroom with
the double-mirror doors on the big closet. We pushed it and didn't hear
a thing. Logically, it ought to do something. I pushed again and
listened for the tinkle. My wife went upstairs and downstairs, while I
pushed, and every now and then I'd yell at her.
"Anything happening?"
"No," she would reply. "Push it real quickly and see if you can't take
it by surprise!"
I tried every method I could think of to make that push button earn its
existence. Every day since I've tried it, determined to learn what it
ought to do or die in the attempt. But to this day that push button is a
mystery.
The Adventure of the Reluctant Cow:
Billy Pentz wants to know if we will keep a bee at our house. We will
not. And another thing, I don't know why bees are kept in an apiary. I
cannot see the line of identification between bees and apes. Apes should
be kept in an apiary; bees should be kept in a beeswax.
But we have been thinking about a cow. There is a company cowary right
back of our house, and when the wind is from the south the call of the
diary is strong upon us. Pardon me, I should have written the dairy.
There's another digression. Why should the transportation of two letters
change a notebook into a milk foundry?
I watched William milking a cow in the cowary, and the ease with which
he performed what to me seemed no less than magic was simply astounding.
Sitting there as quietly as you please, on an inverted bucket, with an
uninverted bucket between his knees, he directed streams of embryo
butter and ice-cream and custard into the centre of a foaming pool with
no more concern than a Queen of the sixth century would show in knifing
a kneeling page.
"We will get a cow," I announced briefly, but with that masterful tone
that identifies me in any company.
My wife looked at me, the way some women look at some men. I withered
but held my ground.
"Why, you can't even milk a cow!" she said.
Now, I've never taken a dare from any woman. I hiked right back down the
patch, careless of the newly sown grass plots, and blundered into the
cowary.
"William," I said, "arise and hand me that can! I'm going to show you
how I used to milk when I was a cowboy!"
If this were fiction it would be funny, but it's fact; and many a thing
that's funny in fiction is tragedy in fact.
William handed me the bucket. I said, "So, Bossy," and seated myself
just as I had seen William do it, with my feet crossed and the bucket
between my knees. That it slipped the first time and slopped over my
trousers was merely an incident. After I'd managed a half-nelson grip
with my knee caps I grabbed a couple of the cow's depending
protuberances and squeezed. Nothing happened. I squeezed again and
pulled. A couple of drops trickled into the palms of my hands.
Encouraged, I tried a jiu-jitsu stunt designed to astonish the cow into
yielding to superior intelligence, and she looked around at me and
grinned.
Public-domain text, read in full here on John Shaqi.
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