That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant Future — John Shaqi
That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant FutureVan Zile, Edward S. (Edward Sims)
History
That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant Future
Van Zile, Edward S. (Edward Sims)
Motion pictures
Like the telephone which was, in its early days, looked upon as an
interesting scientific toy not destined to play an important part in the
daily lives of the people at large, Edison’s kinetoscope was not taken
seriously by the crowds who found it but one of many novel features
combining to make the Chicago World Fair of 1893 a success. They flocked
to see it, marvelled at its ingenuity, but failed, as did Edison
himself, to realize that the world had been enriched by not merely a new
plaything but by a novel medium for influencing the destinies of the
race, the ultimate stupendous significance of which we, even thirty
years later, can only vaguely estimate. It is amazing but true that, so
little did Edison appreciate the fact that he had invented not an
ephemeral toy but the only universal language yet vouchsafed to the
race, he neglected to obtain patents for his kinetoscope outside of the
United States. His oversight in this connection had far-reaching
results, the most important of which historically gave to England
instead of the United States the honor of throwing upon a screen the
first “movie,” as that word is understood to-day.
That a Yankee notion should fail to realize its own possibilities and be
forced eventually to thank an Englishman for placing it upon the heights
from which it was to win world-dominion is not an agreeable reflection
to the ultra-patriotic American, but our story of the evolution of the
movie must now take us across the Atlantic and introduce to us Mr.
Robert W. Paul, electrical engineer and manufacturer of scientific
apparatus, whose workshops were located in Hatton Garden, London.
Reversing the process of the “star of empire” it was Eastward that the
movie, in its search for development, had taken its way. Cradled in
California, it had learned to walk in Menlo Park, New Jersey, and
Rochester, New York, and was now to realize its youthful possibilities
in the British metropolis.
Two peripatetic Athenians, one of them a toy-maker, had seen, admired
and coveted the Edison kinetoscope at the Chicago World’s Fair. They had
the European market in mind for the new plaything and acted at once
without looking into the question of patents. To Paul, at Hatton Garden,
London, came the Athenians with a kinetoscope they had obtained in the
United States, urging him to manufacture duplicates with which they
might supply the English, and possibly the Continental, market. Paul,
however, had read his Virgil and heeded the old poet’s warning against
Greeks bearing gifts. Supposing, of course, that Edison had protected
his invention by English patents, Paul rejected the proposition of the
Greeks. Later, however, he discovered that, so far as the English Patent
Office was concerned, he was free to manufacture kinetoscopes for the
European market and presently went at it with a will and with
considerable success.
Public-domain text, read in full here on John Shaqi.
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