That Unfortunate Marriage, Vol. 1Trollope, Frances Eleanor
General
That Unfortunate Marriage, Vol. 1
Trollope, Frances Eleanor
Social classes -- England -- Fiction
Miss Mary and Miss Martha Piper (invariably called Polly and Patty) were
old maids between fifty and sixty years old. They were not rich; they
had never been handsome; they were not, even in the opinion of their
most partial friends, brilliantly clever. What, then, was the cause of
the distinction they undoubtedly enjoyed in Oldchester society? The
cause was Miss Polly Piper's musical talent--or at least her reputation
for musical talent, which, for social purposes, was the same thing. Miss
Piper had once upon a time, no matter how many years ago, composed an
oratorio, and offered it to the Committee of a great Musical Festival,
for performance. It was not accepted--for reasons which Miss Piper was
at no loss to perceive. The reader is implored not to conclude rashly
that the oratorio was rejected because it failed to reach the requisite
high standard. Miss Piper knew a great deal better than that. She had
been accustomed to mix with the musical world from an early age. Her
father, an amiable Oldchester clergyman, rector of the church in which
Mr. Sebastian Bach Simpson was organist, was considered the best amateur
violoncello player in the Midland Counties. When the great music meeting
brought vocal and instrumental artists to Oldchester, the Reverend
Reuben Piper's house was always open to several of them; and Miss Polly
had poured out tea for more than one great English tenor, great German
basso, and great Scandinavian soprano. So that, as she often said, she
was clearly quite behind the scenes of the artistic world, and
thoroughly understood its intrigues, its ambitions, and its jealousies.
Thus she was less mortified and discouraged by the rejection of her
oratorio than she would have been had she supposed it due to honest
disapproval. The work, which was entitled "Esther," was played and sung,
however;--not indeed by the great English tenor, German basso, and
Scandinavian soprano, but by very competent performers. It was performed
in the large room in Oldchester, used for concerts and lectures, and
called Mercers' Hall. Admission was by invitation, and the hall was
quite full, which, as Miss Patty triumphantly observed, was a very
gratifying tribute on the part of the town and county. Miss Polly did
not conduct her own music. Ladies had not yet wielded the conductor's
_bâton_ in those days. But she sat in a front row, with her father on
one side of her and her sister Patty on the other, and bowed her
acknowledgments to the executants at the end of each piece.
Public-domain text, read in full here on John Shaqi.
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