That Unfortunate Marriage, Vol. 2Trollope, Frances Eleanor
General
That Unfortunate Marriage, Vol. 2
Trollope, Frances Eleanor
Social classes -- England -- Fiction
Clara Bertram arrived in Oldchester the morning before the great day:
partly in order that she might not be over-tired, and partly to give the
opportunity for a rehearsal of the air with Mr. Simpson. "Oh, I'm sure
we need not trouble Mr. Simpson," Clara began thoughtlessly. "It is
certain to go all right." But Miss Polly would not allow such a lax view
of responsibility.
"Excuse me, my dear," she said, "but the music of 'Esther' is
not quite a drawing-room ballad. Not that you will not sing it
charmingly--perfectly! There is no doubt about that. But there is a
certain breadth--a certain style of phrasing, necessary for sacred
music. It is most important that the accompanist should understand your
_reading_ of the air. Indeed, I am anxious to hear it myself. I have my
own idea as to the proper rendering of the opening phrase, 'Hear, O
King, and grant me my petition!' But I shan't say a word until I have
heard you. Your idea may be better than mine; Ha, ha, ha! Who knows?
'Hear, O King, and grant----?' My own notion would be to begin
softly--almost _sotto voce_--in a timid manner: 'Hear, O King;' and then
to rise into a _crescendo_ as the strain proceeds 'and grant me my
PETITION!' But I won't say a word. You must sing it as you _feel_ it."
May was, by special favour, admitted to the rehearsal. She had called to
see Clara Bertram on the afternoon of her arrival, and was ushered into
the long, low, old-fashioned drawing-room, where she found Miss Piper
seated at one end of it, amid a wilderness of rout-seats, and Mr.
Sebastian Bach Simpson at the piano, near to which Miss Bertram was
standing.
"Oh, it's dear May Cheffington!" said Miss Piper, who had turned round
sharply at the opening of the door. "Yes, yes; come in, my dear. Not at
home to anybody else, Rachel! Not to _anybody_, do you hear? Now come
and sit down by me, my dear. She is going to try 'Hear, O King.' Very
glad to see you; you are so sympathetic, and such a favourite with
Clara! There now, don't make her talk! Nothing worse for the voice than
talking. Come and sit down."
May was, indeed, scarcely allowed to exchange greetings with her friend,
who whispered smilingly, "We'll have our chat by-and-by."
Then Mr. Simpson struck up the first chords of the symphony, and there
was breathless silence. He had not played three bars, however, before
Miss Piper jumped up and ran to the piano.
"Oh, I beg pardon, Mr. Simpson, for offering a suggestion to so sound a
musician as yourself, but _don't_ you think a little more stress might
be laid on that chord of the diminished seventh? It prepares the way,
you see, for the pleading tone of the composition. _Le-da_,
_de-da_--like that! Oh, thank you! _Quite_ my meaning. Please go on."
But Mr. Simpson did not proceed far without receiving another
"suggestion."
"A little more force and fulness, don't you think, in that resolution of
the discord? I should like a richer effect."
Public-domain text, read in full here on John Shaqi.
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