That Which Hath Wings: A Novel of the DayDehan, Richard
General
That Which Hath Wings: A Novel of the Day
Dehan, Richard
World War, 1914-1918 -- Fiction
There is nothing profoundly moving in the sight of a stout, beribboned
wet-nurse suckling her employer’s infant. But into the company of these
important hirelings came quite unconsciously a young working-woman in a
shabby brown merino skirt and a blouse of white Swiss. Her shining
black hair was uncovered to the sunshine. On one arm she carried a
bouncing baby, on the other a basket containing cabbages and onions, and
a flask of cheap red wine, which receptacle its owner, having taken the
other end of the seat Franky occupied, set down between herself and the
young man. She was a healthy, plump young woman with too pronounced a
moustache for beauty. But when, having methodically turned the baby
upside down to rearrange some detail of its scanty dress, she reversed
it and bared her breast to the eager mouth, a strange thrill went
through Franky. A dimness came before his vision, and it was as though
those dimpled hands plucked at his heart. He suffered a sudden
revulsion strange in a young man so modern, up-to-date, and beautifully
tailored. He knew that he longed for a son most desperately. And the
devil of it was—Margot did not.
*CHAPTER VII*
*THE CONSOLATRIX*
Thus, Franky got up and moved away, driven by the stinging cloud of
thoughts that pursued and battened on him, and presently found himself
following a stream of people up a flight of marble steps, and under an
imposing portico that ended in a turnstile and a National Collection of
Paintings and Sculptures.
Wandering through a maze of long skylighted galleries where the
master-works of Modern Art are conserved and cherished, he was to
encounter the thought that haunted him in a myriad of images, wrought by
the chisel, the brush, the burin, and the graving-tool in marble or
bronze, upon canvas or panel, in ivory, or silver, or enamel, or gold.
A sculptured Hagar mourning by the side of her dying Ishmael caught his
eye as he entered the first gallery. Farther on, Eve after the Fall
lifted the infant Cain to receive the kiss of Adam, homing to his shack
of green branches at the end of the labouring day. And a shag-thighed,
curly-horned Pan romped with a litter of sturdy bear-cubs, and
medallions and panels of childhood were everywhere.
Public-domain text, read in full here on John Shaqi.
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