Thaumaturgia; Or, Elucidations of the MarvellousOxonian
Religion
Thaumaturgia; Or, Elucidations of the Marvellous
Oxonian
Occultism
"After food," says Sir William Jones,[121] "when the operations of
digestion and absorption gives so much employment to the vessels, that a
temporary state of mental repose, especially in hot climates, must be
found essential to health, it seems reasonable to believe that a few
agreeable airs, either heard or played without effort, must have all the
good effects of sleep, and none of its disadvantages; putting, as Milton
says, '_the soul in tune_' for any subsequent exertion; an experiment
often made by myself. I have been assured by a credible witness, that
two wild antelopes often used to come from their woods to the place
where a more savage beast, Serajuddaulah, entertained himself with
concerts, and that they listened to the strains with the appearance of
pleasure, till the monster, in whose soul there was no music, shot one
of them to display his archery." A learned native told Sir William Jones
that he had frequently seen the most venomous snakes leave their holes
upon hearing tunes on a flute, which, as he supposed, gave them peculiar
delight.
Of the surprising effects of music, the two following instances, with
which we shall close these remarks, are related in the history of the
Royal Academy of Society of Paris.
A famous musician, and great composer was taken ill of a fever, which
assumed the continued form, with a gradual increase of the symptoms. On
the second day he fell into a very violent delirium, almost constantly
accompanied by cries, tears, terrors, and a perpetual watchfulness. The
third day of his delirium one of those natural instincts, which make, as
it is said, sick animals seek out for the herbs that are proper to their
case, set him upon desiring earnestly to hear a little concert in his
chamber. His physician could hardly be prevailed upon to consent to it.
On hearing the first modulations, the air of his countenance became
serene, his eyes sparkled with a joyful alacrity, his convulsions
absolutely ceased, he shed tears of pleasure, and was then possessed for
music with a sensibility he never before had, nor after, when he was
recovered. He had no fever during the whole concert, but, when it was
over, he relapsed into his former condition.
The fever and delirium were always suspended during the concert, and
music was become so necessary to the patient, that at night he obliged a
female relation who sometimes sat up with him, to sing and even to
dance, and who, being much afflicted, was put to great difficulty to
gratify him. One night, among others, he had none but his nurse to
attend him, who could sing nothing better than some wretched country
ballads. He was satisfied to put up with that, and he even found some
benefit from it. At last ten days of music cured him entirely, without
other assistance than of being let blood in the foot, which was the
second bleeding that was prescribed for him, and was followed by a
copious evacuation.
Public-domain text, read in full here on John Shaqi.
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