This account was communicated to the Academy by M. Dodart, who had it well authenticated. The second instance of the extraordinary effect of music is related of a dancing-master of Alais, in the province of Languedoc. Being once over-fatigued in Carnival time by the exercise of his profession, he was seized with a violent fever, and on the fourth or fifth day, fell into a lethargy, which continued upon him for a considerable time. On recovering he was attacked with a furious and mute delirium, wherein he made continual efforts to jump out of bed, threatened, with a shaking head and angry countenance, those who attended him, and even all that were present; and he besides obstinately refused, though without speaking a word, all the remedies that were presented to him. One of the assistants bethought himself that music perhaps might compose a disordered imagination. He accordingly proposed it to his physician, who did not disapprove the thought, but feared with good reason the ridicule of the execution which might still have been infinitely greater, if the patient should happen to die under the operation of such a remedy. A friend of the dancing master, who seemed to disregard the caution of the physician, and who could play on the violin, seeing that of the patient hanging up in the chamber, laid hold of it, and played directly for him the air most familiar to him. He was cried out against more than the patient who lay in bed, confined in a straight jacket; and some were ready to make him desist; when the patient, immediately sitting up as a man agreeably surprised, attempted to caper with his arms in unison with the music; and on his arms being held, he evinced, by the motion of his head, the pleasure he felt. Sensible, however, of the effects of the violin, he was suffered by degrees to yield to the movement he was desirous to perform,--when, strange as it may appear, his furious fits abated. In short, in the space of a quarter of an hour, the patient fell into a profound sleep, and a salutary crisis in the interim rescued him from all danger. FOOTNOTES: [116] Dr. Burney's History of Music. [117] It has been asserted by several moderns, that deaf people can hear best in a great noise; perhaps to prove that Greek noise could do nothing which the modern cannot operate as effectually: and Dr. Willis in particular tells us of a lady who could hear only while a drum was beating, in so much that her husband, the account says, hired a drummer as her servant, in order to enjoy the pleasures of her conversation. [118] Many of the ancients speak of music as a recipe for every kind of malady, and it is probable that the Latin was _praecinere_, to charm away pain, _incantare_ to enchant, and our own word _incantation_, came from the medical use of song.