The £1,000,000 bank-note, and other new stories — John Shaqi
The £1,000,000 bank-note, and other new storiesTwain, Mark
General
The £1,000,000 bank-note, and other new stories
Twain, Mark
American essays -- 19th century; American fiction -- 19th century; Humorous stories, American
if it was loftily uttered, it got a noble burst of applause from the
villagers; yet there isn’t a ray of sense in it, or meaning to it.
McClintock finished his education at Yale in 1843, and came to Hartford
on a visit that same year. I have talked with men who at that time
talked with him, and felt of him, and knew he was real. One needs to
remember that fact, and to keep fast hold of it; it is the only way to
keep McClintock’s book from undermining one’s faith in McClintock’s
actuality.
As to the book. The first four pages are devoted to an inflamed eulogy
of Woman—simply Woman in general, or perhaps as an Institution—wherein,
among other compliments to her details, he pays a unique one to her
voice. He says it ‘fills the breast with fond alarms, echoed by every
rill.’ It sounds well enough, but it is not true. After the eulogy he
takes up his real work, and the novel begins. It begins in the woods,
near the village of Sunflower Hill.
‘Brightening clouds seemed to rise from the mist of the fair
Chattahoochee, to spread their beauty over the thick forest, to guide
the hero whose bosom beats with aspirations to conquer the enemy that
would tarnish his name and to win back the admiration of his long-tried
friend.’
It seems a general remark, but it is not general; the hero mentioned is
the to-be hero of the book; and in this abrupt fashion, and without name
or description, he is shovelled into the tale. ‘With aspirations to
conquer the enemy that would tarnish his name’ is merely a phrase flung
in for the sake of the sound—let it not mislead the reader. No one is
trying to tarnish this person; no one has thought of it. The rest of the
sentence is also merely a phrase; the man has no friend as yet, and of
course has had no chance to try him, or win back his admiration, or
disturb him in any other way.
The hero climbs up over ‘Sawney’s Mountain,’ and down the other side,
making for an old Indian ‘castle’—which becomes ‘the red man’s hut’ in
the next sentence; and when he gets there at last, he ‘surveys with
wonder and astonishment’ the invisible structure, ‘which time had buried
in the dust; and thought to himself his happiness was not yet complete.’
One doesn’t know why it wasn’t, nor how near it came to being complete,
nor what was still wanting to round it up and make it so. Maybe it was
the Indian; but the book does not say. At this point we have an episode:
Public-domain text, read in full here on John Shaqi.
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