The abandoned farm, and Connie's mistakeHolmes, Mary Jane
General
The abandoned farm, and Connie's mistake
Holmes, Mary Jane
American fiction -- 20th century
Her dress was of some dark stuff, high necked and long sleeved, with
nothing airy or festive about it except the light lace scarf she had
knotted around her neck. But there was something about her which
attracted him, and he watched her all through the first act, of which he
did not hear a word; and saw her evident pleasure in and appreciation of
what seemed to him so tiresome. How could she be pleased with that
screeching and the talk which no sane people ever talked in real life.
Amy and Ruth pretended to be delighted with that sort of thing, but he
fancied it was a good deal of pretence, because it was fashionable. And
yet this girl evidently liked it, and her face shone and her eyes
sparkled, and her dimples came and went, while he looked at her through
his glass, bringing her so close to him that he could see how fair she
was without powder, such as Amy and his mother kept on their toilet
tables. She did not glance at him, but kept her eyes upon the stage,
turning but once to the woman beside her, who was nodding in her chair.
“Good, sensible old lady! I’d like to go to sleep myself,” he thought,
as he saw the laugh on the girl’s face, and the hand she laid on the arm
of the sleeping woman, who started up, and, bracing herself stiff and
straight, gave her attention to the play until the close of the first
act, when there came a diversion which nearly startled Alex. from his
seat.
“By all the saints, if there isn’t Craig Saltus shaking hands with the
duffers, and,—yes,—with the girl, too!” he said, under his breath, as a
young man entered the opposite box and, after greeting its occupants,
sat down by the girl and began talking to her as if he had known her all
his life, while she did not seem in the least elated because one of the
most fastidious young men in New York was beside her. Money, family,
polished manners and an unspotted reputation,—all belonged to Craig
Saltus, who had but one drawback. A fall when a child had resulted in a
lameness which debarred him from most of the amusements in which young
men delight. He could not ride,—he could not row,—he could not
dance,—and at evening entertainments, which he rarely attended, he was
obliged either to stand, which was rather painful, if he stood any
length of time, or sit beside some dowager listening to her tiresome
talk. And yet, cripple as he was, he could have his choice of almost any
girl of his acquaintance; and he knew it, but treated them all alike,
with a courteous attention which meant nothing. And here he was with
these plain people, staying through the second act and looking more at
the girl than at the actors, until Alex., forgetting his own
delinquencies in that direction, began to be vexed and wonder why, when
a fellow came to the opera, he didn’t feel enough interest to pay
attention to it, and not be watching an unsophisticated girl to see how
she took it.
Public-domain text, read in full here on John Shaqi.
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