The abandoned farm, and Connie's mistakeHolmes, Mary Jane
General
The abandoned farm, and Connie's mistake
Holmes, Mary Jane
American fiction -- 20th century
“NEPHEW ALEXANDER: That was your grandfather’s name, and a good one.
They say you are honest, with fewer tricks than most young men in the
city. I inquired two years ago. I was there and saw your house, but it
wasn’t for me to go in. I’ve kept track of my family, what there is
left; nobody now but you and your sister. When your father was a boy
he came to the farm in New Hampshire and staid a week, but he found me
poor company and never came again. If he had and was older, I was
going to——; but no matter, I’ve fixed it, and leave it for you to do
right for me. Something tells me you will. I am too old to face it,
God knows, and he has forgiven me. I am an old man. The doctors say I
am not long for this world. I am ninety now, and sitting here alone
with no soul in the house; things come back plainer,—folks I knew
years ago, and one is standing by the door and looking at me as if he
was not satisfied the way I’ve fixed it, and wants me to put it down
again, but I can’t to-night, my head is so queer. My candle is nearly
out, and I can’t see. To-morrow I’ll try and write again and tell you
why you must go to the farm and do right.”
Here there was evidently an effort to write a word with a pen which had
no ink in it, and then the hand must have grown powerless and dropped,
clasping the side of the table as they found it, and the old man was
dead. Alex.’s voice shook as he read this letter, while even the
loquacious Amy was silent, wondering what it all meant.
“There’s something on the other side of the sheet,—some words,” she said
at last, and turning the paper over, Alex. saw, written very plainly,
the name “Crosby,” and after it another name he could not make out,
except that the first was “Joel.”
“Can you tell me what that last name is?” he asked his sister.
She could not, and Ruth next tried her skill.
“The first letter is certainly ‘P,’ though a very queer one,” she said.
“Can it be ‘Pleasure’?”
“‘Pleasure’? No. There’s a ‘g,’ or a ‘y’ in it. Try again,” Alex. said,
and Ruth tried again with better success.
“It must be ‘Pledges,’” she suggested.
“‘Pledges,’” Alex. repeated, and taking the paper from Ruth, he made
“Pledgers” distinctly from the irregular letters. “‘Pledgers,’ that’s
funny,” he said, with a thought of Old Pledger and the girl.
Neither Amy nor Ruth saw anything funny in the names. They were too much
absorbed in what the old man had written, and asked Mrs. Marsh what she
knew of him. She knew very little, except that he once lived on a farm
among the New Hampshire hills, and her husband, when a boy, had spent a
week with him, but was glad to get away.
“Since your father died I have scarcely given the man a thought,” she
added. “I did hear, in a roundabout way, that he had gone West; I
fancied him dead long ago. He was said to be very eccentric,—half crazy,
or something.”
Public-domain text, read in full here on John Shaqi.
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