Canadian fiction; Country life -- Fiction; Families -- Fiction; Humorous stories
It was nine o'clock when I received this epistle. Griggs, I calculated,
could not arrive before the middle of the afternoon, and he would
probably not stay more than an hour or two, so as to leave time to drive
back to the city by daylight. The problem that confronted me was whether
it would be worse for me to tell the truth to Griggs, or to Marion, or
to both, or to risk the probability of Marion learning it from Griggs,
or of the latter from my wife. I shrank from each solution in turn, and
yet, worst of all, was the thought of being burdened any longer by the
secret of my own guilt. I could have made up my mind to confess to
Marion had I not been sure that she would insist upon Griggs being told
the instant he arrived. That thought hardened my heart. I had gone too
far to retreat; Griggs should be deceived to the bitter end.
It was at this stage of my mental conflict that the thought of confiding
in Andy Taylor came to me as a sudden inspiration. That dear old soul,
I felt sure, would take a positive delight in helping me out of this
difficulty; indeed, I thought of borrowing his farm for the afternoon,
until a better plan presented itself. I couldn't see the humorous side
of the matter very clearly just then, but I knew Andy would. He did. I
found him hoeing his corn, but he willingly left his work and sat down
in a shady spot with me to listen to my tale. I did not attempt to
excuse myself; in fact, I was rather more severe in my self-condemnation
than I thought the circumstances warranted. I wanted sympathy and
encouragement; I wanted to be assured that I wasn't as miserable a
sinner as I declared myself to be; and I knew that, in dealing with
Marion, the way to get what I yearned for was to assume the most abject
repentance. But my serious air failed to impress Andy, for he was so
delighted with the humor of the situation that, at first, he gave
himself up to unrestrained merriment. I had to paint my despair still
more vividly before he subsided into helpful contemplation.
"To tell you the _truth_, Mr. Carton"--I winced at the word, and at the
wink that accompanied it--"I think it's a darn good joke." He stopped to
laugh once more, and I permitted a sorrowful smile to steal over my
face. "And as for my opinion of your conduct," he went on, "I believe
you're jest a nateral-born play-actor." I started in surprise, for this
was not the kind of consolation I had expected. "That bein' the case,"
he concluded, "you ain't no ways blamable."
"Why, how do you make that out?" I asked, trying to conceal my elation.
"You done it," he answered, chewing a piece of June grass meditatively,
with his eyes half-closed, "as innocent as that little boy of yourn when
he makes believe he has all them brothers and sisters. You ain't got all
the live-stock that you described, but you want 'em so bad that your
imagination sort of got a cinch on your judgment."
Public-domain text, read in full here on John Shaqi.
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