The Abandoned Farmers: His Humorous Account of a Retreat from the City to the FarmCobb, Irvin S. (Irvin Shrewsbury)
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The Abandoned Farmers: His Humorous Account of a Retreat from the City to the Farm
Cobb, Irvin S. (Irvin Shrewsbury)
Farms -- Recreational use -- United States -- Fiction; Humorous stories
It was our desire to have a new house that would look like an old
house; a yearning in which the architect heartily concurred, he having
a distaste for the slick, shiny, look-out-for-the-paint look which is
common enough in American country houses. In this ambition a combination
of circumstances served our ends. For the lower walls we looted two of
the ancient stone fences which meandered aimlessly across the face of
our acres. According to local tradition, those fences dated back to
pre-Revolutionary days; they were bearded thick with lichens and their
faces were scored and seamed. In laying them up we were fortunate enough
to find and hire a stonemason who was part artificer but mostly real
artist--an Italian, with the good taste in masonry which seems to
be inherent in his countrymen; only in this case the good taste was
developed to a very high degree. Literally he would fondle a stone whose
color and contour appealed to him and his final dab with the trowel of
mortar was in the nature of a caress.
On top of this find came another and even luckier one. Three miles away
was an abandoned brickyard. Once an extensive busy plant, it had lain
idle for many years. Lately it had been sold and the new owners were
now preparing to salvage the material it contained. Thanks to the
forethought of the architect, we secured the pick of these pickings.
From old pits we exhumed fine hard brick which had been stacked there
for a generation, taking on those colors and that texture which only
long exposure to wind and rain and sun can give to brick. These went
into our upper walls. For a lower price than knotty, wavy, fresh-cut,
half-green spruce would have cost us at a lumber yard, modern prices and
lumber yards being what they are, we stripped from the old kiln sheds
beautiful dear North Carolina boards, seasoned and staunch. These
were for the rough flooring and the sheathing. The same treasure
mine provided us with iron bars for reënforcing; with heavy beams and
splendid thick wide rafters; with fire brick glazed over by clays and
minerals which in a molten state had flowed down their surfaces; with
girders and underpinnings of better grade and greater weight than any
housebuilder of moderate means can afford these times. Finally, for
roofing we procured old field slates of all colors and thicknesses
and all sizes; and these by intent were laid on in irregular
catch-as-catch-can fashion, suggestive when viewed at a little distance
of the effect of thatching. Another Italian, a wood carver this time,
craftily cut the scrolled beam ends which show beneath our friendly
eaves and in the shadows of our gables. It was necessary only to darken
with stains the newly gouged surfaces; the rest had been antiquated
already by fifty years of Hudson River climate. Before the second beam
was in place a wren was building her nest on the sloped top of the first
one. We used to envy that wren--she had moved in before we had.
CHAPTER VII. “AND SOLD TO----”
Public-domain text, read in full here on John Shaqi.
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